{"title":"Writers and Race: Why Playwrights of Colour Should Write Themselves into Their Plays","authors":"Mariló Núñez","doi":"10.3138/ctr.193.012","DOIUrl":null,"url":null,"abstract":"Abstract:Marilo Nuñez analyzes how playwrights write race into their work by building on a conversation with fellow playwright Marie Barlizo, to encourage more racialized playwrights to attend to the specificity of race in their writing process.","PeriodicalId":42646,"journal":{"name":"CANADIAN THEATRE REVIEW","volume":"193 1","pages":"55 - 59"},"PeriodicalIF":0.2000,"publicationDate":"2023-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"CANADIAN THEATRE REVIEW","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3138/ctr.193.012","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"THEATER","Score":null,"Total":0}
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Abstract
Abstract:Marilo Nuñez analyzes how playwrights write race into their work by building on a conversation with fellow playwright Marie Barlizo, to encourage more racialized playwrights to attend to the specificity of race in their writing process.
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