Riffing on course redesign: Leveraging pedagogy for teaching music online

IF 0.2 Q3 Arts and Humanities Perfect Beat Pub Date : 2021-08-27 DOI:10.1558/prbt.19236
Benjamin Phipps
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引用次数: 3

Abstract

In this article, I riff on redesigning music education for online delivery from the perspective of an ethnomusicologist and teacher working as an educational developer during the COVID-19 pandemic in Australia. I explore how the affordances and limitations of remote learning and online technologies impacted the pedagogical approaches I use to design music courses in tertiary education. Issues such as the applicability of curriculum to students’ working life and active learning have become pertinent to teaching and learning scholarship over the last two decades. Over the last year, these issues were placed under further scrutiny, and calls have accelerated for re-examining strategies that build foundational skills and embrace more active learning design. For music teaching, this poses a unique opportunity to make courses more relevant to our students and create improved social outcomes for music education. However, adapting courses also presents a significant challenge in converting pedagogy to be sustainable in the current tertiary education sector. I reflect on educational developments that can enhance university music teaching through the benefits of technology and pedagogy that improve student learning. © Equinox Publishing Ltd 2021
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重新设计课程:利用教学法在线教授音乐
在这篇文章中,我从一名民族音乐学家和一名在澳大利亚新冠肺炎大流行期间担任教育开发人员的教师的角度,对在线交付的音乐教育进行了重新设计。我探讨了远程学习和在线技术的优点和局限性如何影响我在高等教育中设计音乐课程的教学方法。在过去的二十年里,课程对学生工作生活和主动学习的适用性等问题已经成为与教学学术相关的问题。在过去的一年里,这些问题受到了进一步的审视,要求重新审视培养基本技能和采用更积极的学习设计的策略的呼声也越来越高。对于音乐教学来说,这提供了一个独特的机会,使课程更贴近学生,并为音乐教育创造更好的社会成果。然而,在目前的高等教育部门,调整课程也对教学法的可持续发展提出了重大挑战。我反思了教育发展可以通过技术和教学法的好处来提高大学音乐教学,从而提高学生的学习。©Equinox Publishing Ltd
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Perfect Beat
Perfect Beat MUSIC-
CiteScore
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