Shakespeare. Stwarzanie świata Stephena Greenblatta, czyli odkrywczość kulturowej mozaiki

Jędrzej Krystek
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引用次数: 0

Abstract

The article is an attempt to analyze the narrative and methodological techniques of new historicism. The basis for the analysis was Stephan Greenblatt’s book Will In the Word. How Shakespeare Became Shakespeare, especially because of of creating biographical and intercultural areas. The author of the analysis follows the relations between the truth of narration and historical truth and tries to determine the constituent elements of Hamlet’s author. The author of the analysis traced the relations between two truths: the truth of the historical time and the truth of the narrative time.
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莎士比亚。创造格林布拉特的世界,还是发现文化马赛克
本文试图分析新历史主义的叙事和方法论技巧。这项分析的基础是斯蒂芬·格林布拉特(Stephan Greenblatt)的著作《话语中的意志》(Will In The Word)。莎士比亚是如何成为莎士比亚的,特别是因为他创造了传记和跨文化领域。分析作者遵循叙述真实与历史真实的关系,试图确定哈姆雷特作者的构成要素。分析作者追溯了历史时间的真相和叙事时间的真相这两个真相之间的关系。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Poznanskie Studia Polonistyczne Seria Literacka
Poznanskie Studia Polonistyczne Seria Literacka Arts and Humanities-Literature and Literary Theory
自引率
0.00%
发文量
17
审稿时长
14 weeks
期刊最新文献
Podróże z Hanną Szumańską-Grossową „Dobra reprodukcja obrazów”. „Dzieło” Émile’a Zoli w przekładach Aleksandry Callierowej i Hanny Szumańskiej-Grossowej Angielskie strofy i polska lutnia. O przekładach „Melodii hebrajskich” George’a Gordona Byrona pióra Antoniego Edwarda Odyńca Światopogląd jako styl. „Klucze Piotrowe” Rogera Peyrefitte’a w przekładzie Hanny Szumańskiej-Grossowej jako ogniwo tradycji Hanna Szumańska-Grossowa wspomina Konstantego Ildefonsa Gałczyńskiego
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