Who’s Minding the Music?: The Impact of Charismatic Renewal on Southern Baptist Training of Worship Leaders

IF 0.1 0 RELIGION Liturgy Pub Date : 2022-07-03 DOI:10.1080/0458063X.2022.2085967
E. Andrews
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Abstract

As the largest evangelical Protestant group in the United States, no single depiction will do justice to a faithful description of the liturgical life currently present in the Southern Baptist Convention (SBC). There exists much diversity, and Southern Baptists themselves do not agree on the proper liturgical heritage of their historical predecessors. Still, as others have demonstrated, the conservative Southern Baptists leading the Convention since the early 1980s have increasingly rallied around a liturgical tradition rooted in in the confluence of liturgical historian James White’s “Frontier worship” and what Lester Ruth and Lim Swee Hong describe as the “rivers” of “Praise & Worship” and “Contemporary Worship,” the style, ethos, and practices that, for many in the U.S., have come to be identified as “the new liturgical normal.” Like many evangelicals in the U.S., today’s SBC leaders have largely settled into contemporary worship and many of its Charismatic-influenced practices as the assumed and unquestioned model. It is presumed, as SBC pastor and educator Matt Boswell puts it, that “worship leaders ought to come to lead...with a guitar in one hand...” While this has no doubt affected a number of practices and systems related to the worship ministry of SBC congregations, it has particularly influenced the avenues for training those called to lead worship in the local church. This paper traces the development of worship leadership practices in the SBC by focusing on the leader’s education for the task and the ways in which Charismatic-influenced contemporary worship music (CWM) practices have influenced the denomination’s training paths for its worship leaders. SBC congregations have a relatively long history of valuing musical education for the ministers called to lead public worship. Given the SBC’s adoption of many Charismaticinfluenced musical practices in recent decades, the nature of and pathways for this education have evolved significantly. Concluding observations describe these developments as further solidifying the future of the SBC in the liturgical life and ethos of charismatically renewed contemporary worship while maintaining connections to its own historical precedents.
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谁在听音乐?:灵恩更新对美南浸信会敬拜领袖训练的影响
作为美国最大的福音派新教团体,没有任何一种描述能公正地描述目前南方浸礼会(SBC)中的礼拜生活。这里有很多多样性,南方浸礼会教徒自己也不同意他们历史前辈的正确礼拜传统。尽管如此,正如其他人所证明的那样,自20世纪80年代初以来,领导大会的保守派南方浸礼会教徒越来越多地团结在一种礼拜传统周围,这种传统植根于礼拜历史学家詹姆斯·怀特的“边疆崇拜”和莱斯特·鲁斯和林瑞红所描述的“赞美与崇拜”和“当代崇拜”的“河流”,对美国的许多人来说,这种精神和实践已经被认定为“新的礼拜常态”。与美国的许多福音派教徒一样,今天的SBC领导人基本上已经适应了当代崇拜,并将其许多受魅力影响的实践视为假定和无可质疑的模式。正如SBC牧师和教育家Matt Boswell所说,人们认为“崇拜领袖应该来领导……一只手拿着吉他……”虽然这无疑影响了SBC会众崇拜部的许多实践和制度,但它特别影响了培训当地教会中被召来领导崇拜的人的途径。本文通过关注领导者对任务的教育,以及受魅力影响的当代崇拜音乐(CWM)实践如何影响教派对其崇拜领导者的培训路径,追溯了SBC崇拜领导实践的发展。SBC会众有着相对悠久的历史,重视被要求领导公众崇拜的部长们的音乐教育。鉴于SBC在近几十年来采用了许多受魅力影响的音乐实践,这种教育的性质和途径已经发生了重大变化。结论性意见将这些发展描述为进一步巩固SBC在礼仪生活和慈善复兴的当代崇拜精神中的未来,同时保持与自身历史先例的联系。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Liturgy
Liturgy RELIGION-
CiteScore
0.30
自引率
0.00%
发文量
27
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