{"title":"The amputee dancer: A conversation (and more) with Lawrence Shapiro","authors":"Lawrence Shapiro, L. Miller","doi":"10.1386/chor_00057_7","DOIUrl":null,"url":null,"abstract":"This piece of writing started life as reflection by Lawrence Shapiro on his Canada Council for the Arts sponsored trip to Berlin, Germany in 2022 to work with ‘The Initiative for More Physical Diversity in Contemporary Dance’ and their ensemble Tanzfaehig. While the initial piece of writing that Lawrence offered to Choreographic Practices remains a central element of what is presented here, it is supplemented by the text of a conversation Lee Miller and Lawrence had on Friday, 7 April 2023.","PeriodicalId":40658,"journal":{"name":"Choreographic Practices","volume":" ","pages":""},"PeriodicalIF":0.2000,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Choreographic Practices","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1386/chor_00057_7","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"DANCE","Score":null,"Total":0}
引用次数: 0
Abstract
This piece of writing started life as reflection by Lawrence Shapiro on his Canada Council for the Arts sponsored trip to Berlin, Germany in 2022 to work with ‘The Initiative for More Physical Diversity in Contemporary Dance’ and their ensemble Tanzfaehig. While the initial piece of writing that Lawrence offered to Choreographic Practices remains a central element of what is presented here, it is supplemented by the text of a conversation Lee Miller and Lawrence had on Friday, 7 April 2023.
期刊介绍：
Choreographic Practices operates from the principle that dance embodies ideas and can be productively enlivened when considered as a mode of critical and creative discourse. This double-blind peer-reviewed journal provides a platform for sharing choreographic practices, critical inquiry and debate. Placing an emphasis on processes and practices over products, this journal seeks to engender dynamic relationships between theory and practice, choreographer and scholar, so that these distinctions may be shifted and traversed. Choreographic Practices will encompass a wide range of methodologies and critical perspectives such that interdisciplinary processes in performance can be understood as they intersect with other territories in the arts and beyond (for example, cultural studies, psychology, phenomenology, geography, philosophy and economics). In this way, the journal will open up the nature and scope of dance practice as research and draw together diverse bodies of knowledge and ways of knowing to illuminate an emerging and vibrant research area.
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