"We were amused by an itinerant singing-man": Print, Writing, and Orality in Mungo Park's Travels in the Interior Districts of Africa

IF 0.4 3区 文学 0 LITERATURE Eighteenth-Century Fiction Pub Date : 2023-04-01 DOI:10.3138/ecf.35.2.193
A. Sood
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Abstract

Abstract:This article draws on critical Indigenous theories to locate previously marginalized knowledge systems in Mungo Park's Travels in The Interior Districts of Africa (1799). Park's text abounds with descriptions of jilla keas, "singingmen," and other examples of West African literary cultures (written and oral). I argue that an Indigenous-centered method of reading allows us to locate the Mande knowledges that not only informed Park's mediations of orality but also attempted to resist and reimagine oral culture in the face of increasing colonial presence in West Africa. This article offers possibilities for the critical recovery of Indigenous knowledges within colonial texts. I find a possible reason for Park's detailed engagement with West African oral cultures by locating Travels within a body of Scottish Romantic writing, highlighting the significance of his friendship with Walter Scott in shaping a strong interest in orality.
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“我们被一个巡回歌手逗乐了”:蒙戈·帕克在非洲内陆地区旅行中的印刷、写作和口语
摘要:本文借鉴了批判的土著理论,在蒙戈公园的《非洲内陆地区游记》(1799)中定位了以前被边缘化的知识系统。朴的文本中充满了对吉拉·凯斯、“singingmen”和其他西非文学文化(书面和口头)的描述。我认为,以土著人为中心的阅读方法使我们能够找到Mande的知识,这些知识不仅为Park的口头调解提供了信息,而且在西非日益增加的殖民存在面前,还试图抵制和重新想象口头文化。这篇文章提供了在殖民文本中批判性地恢复土著知识的可能性。我发现帕克详细接触西非口头文化的一个可能原因是,他将《游记》放在了苏格兰浪漫主义写作的主体中,强调了他与沃尔特·斯科特的友谊对形成对口头的强烈兴趣的重要性。
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CiteScore
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发文量
53
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