{"title":"Serdeczne idiomy w listach Wisławy Szymborskiej i Kornela Filipowicza","authors":"Dorota Wojda","doi":"10.14746/pt.2022.38.14","DOIUrl":null,"url":null,"abstract":"The correspondence between Wisława Szymborska and Kornel Filipowicz, which has been published in the book Listy. Najlepiej w życiu ma Twój kot (2016), is interpreted in this paper as a love discourse with the use of private idioms. This creates a poetics of the cryptogram, enigmatic to others, yet clear to the correspondents who combine epistolography, applied arts, literature, and life into one whole. The main means of this poetics is the recontextualization in which the writers perform different roles and move between them. This is related to creating of the text as theatre, which characterizes Szymborska’s poetry in particular as a modern lyric of the mask and role. The violation of the borders between various fields of art and life is done in these letters through collages, stickers, and ready mades that engage not only mind but also body, allowing to hide feelings behind a masquerade, at the same time conveying what is inexpressible.","PeriodicalId":37837,"journal":{"name":"Przestrzenie Teorii","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2023-07-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Przestrzenie Teorii","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.14746/pt.2022.38.14","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
Abstract
The correspondence between Wisława Szymborska and Kornel Filipowicz, which has been published in the book Listy. Najlepiej w życiu ma Twój kot (2016), is interpreted in this paper as a love discourse with the use of private idioms. This creates a poetics of the cryptogram, enigmatic to others, yet clear to the correspondents who combine epistolography, applied arts, literature, and life into one whole. The main means of this poetics is the recontextualization in which the writers perform different roles and move between them. This is related to creating of the text as theatre, which characterizes Szymborska’s poetry in particular as a modern lyric of the mask and role. The violation of the borders between various fields of art and life is done in these letters through collages, stickers, and ready mades that engage not only mind but also body, allowing to hide feelings behind a masquerade, at the same time conveying what is inexpressible.
Wisława Szymborska和Kornel Filipowicz之间的通信,已发表在《Listy》一书中。Najlepiej w życiu ma Twój kot(2016),本文将其解释为使用私人习语的爱情话语。这创造了一种密码学的诗学,对其他人来说是神秘的,但对那些将书信学、应用艺术、文学和生活结合在一起的通信者来说是清晰的。这种诗学的主要手段是重新语境化,作者在其中扮演不同的角色并在角色之间移动。这与将文本创作为戏剧有关,这使辛波丝卡的诗歌成为一种关于面具和角色的现代抒情诗。在这些信件中,通过拼贴画、贴纸和现成的作品,打破了艺术和生活各个领域之间的界限,这些作品不仅涉及心灵,也涉及身体,让情感隐藏在假面舞背后,同时传达出无法表达的东西。
期刊介绍:
“Przestrzenie Teorii” is a theoretical and literary journal of scholarly criticism. The journal is peer-reviewed and reflects the research interests of authors from across a wide range of universities in Poland, as well as presents translations of texts of distinguished foreign theoreticians in literature. The journal undertakes to present key and essential problems in the contemporary criticism and theory of literature, and provides a platform for a transdisciplinary dialogue. The published texts, presented in diversified methodological approach, address both aesthetical and poetical problems in different areas of research, encompassing theatre and film, but also drama and art (in particular, visual and performative art forms). The journal is characterized by its interdiciplinary approach, participates in the present-day scholarly discourse in the philosophy of science and attempts to effect its policy of fostering the polyphonic form of literary studies in drama. “Przestrzenie Teorii” is published semi-annually.