COVID: a pandemic of metaphor

IF 1.1 1区 文学 Q3 COMMUNICATION Communication and Critical-Cultural Studies Pub Date : 2022-01-02 DOI:10.1080/14791420.2021.2020860
P. Treichler
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Abstract

ABSTRACT Arriving in the U.S. in early 2020, COVID-19 is called “the deadliest pandemic since the 1918 flu.” Mitigation measures include masks and vaccinations, but many resist and demonstrate against them. The unvaccinated continue to harbor the virus; they now form the largest group of COVID patients in hospitals, enabling the virus to continue to spread. Diverse conservative and far-right sources push conspiracy theories and other disinformation that fuel resistance to mitigation, claiming in some cases that the pandemic is a hoax. COVID metaphors themselves, however, suggest lines of counter-argument and ways to potentially shift their meanings and consequences.
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COVID:隐喻的大流行
摘要新冠肺炎于2020年初抵达美国,被称为“自1918年流感以来最致命的大流行”。缓解措施包括戴口罩和接种疫苗,但许多人抵制并示威反对。未接种疫苗的人继续携带病毒;他们现在构成了医院中最大的新冠肺炎患者群体,使病毒能够继续传播。不同的保守派和极右翼消息来源推动阴谋论和其他虚假信息,助长了对缓解措施的抵制,在某些情况下声称疫情是一场骗局。然而,新冠肺炎隐喻本身就提出了反驳的思路,以及可能改变其含义和后果的方法。
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来源期刊
CiteScore
3.10
自引率
10.50%
发文量
32
期刊介绍: Communication and Critical/Cultural Studies (CC/CS) is a peer-reviewed publication of the National Communication Association. CC/CS publishes original scholarship that situates culture as a site of struggle and communication as an enactment and discipline of power. The journal features critical inquiry that cuts across academic and theoretical boundaries. CC/CS welcomes a variety of methods including textual, discourse, and rhetorical analyses alongside auto/ethnographic, narrative, and poetic inquiry.
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