Museums as Platforms of Resistance: The Use of Technology in Conflict Memory, Transitional Justice and Peacebuilding

IF 0.4 4区 艺术学 0 ART MUSEUM INTERNATIONAL Pub Date : 2022-07-03 DOI:10.1080/13500775.2022.2234196
Eduardo Briceño-Florez, Kathryn Eccles
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Abstract

Abstract This article asks what we can learn about the role of technology as a tool of resistance in a post-conflict society by examining a case study of a museum under construction, and in the shadow of a still- unresolved conflict. We show how the virtual staging of the Centro Nacional de Memoria Histórica in Colombia has been crucial to its success in challenging more recent political events and in crafting national memory narratives during a period of fragile peacebuilding. We analyse a series of technologically mediated provocations and interventions mobilised by the Centro Nacional de Memoria Histórica in order to show how digital tools and media enabled the museum to commence its storytelling at a time of ongoing tension and dissensus. We argue that despite, or perhaps because of, the limitations of digital technologies in a predominantly rural country, these have proven a key tool in building a historical narrative around the Colombian conflict and in managing the tensions inherent in a fragile peacebuilding process. In this case study, we draw parallels between transitional justice initiatives and ongoing decolonial activities in museums, in order to reflect on the ways in which the use of technology might disrupt hegemonic narratives and traditional mnemonic practices and hierarchies.
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博物馆作为抵抗平台:技术在冲突记忆、过渡时期司法和建设和平中的应用
摘要本文通过对一座正在建设中的博物馆的案例研究,在一场尚未解决的冲突的阴影下,我们可以了解到技术在冲突后社会中作为抵抗工具的作用。我们展示了国家历史记忆中心在哥伦比亚的虚拟舞台如何对其在脆弱的建设和平时期成功挑战最近的政治事件和制定国家记忆叙事至关重要。我们分析了国家历史记忆中心动员的一系列技术斡旋的挑衅和干预,以展示数字工具和媒体如何使博物馆在持续紧张和分歧的时刻开始讲述故事。我们认为,尽管数字技术在一个以农村为主的国家存在局限性,或者可能是因为数字技术的局限性,但事实证明,这些技术是围绕哥伦比亚冲突建立历史叙事和管理脆弱的建设和平进程中固有的紧张局势的关键工具。在本案例研究中,我们将过渡时期司法举措与博物馆中正在进行的非殖民化活动进行了比较,以反思技术的使用可能会以何种方式破坏霸权叙事以及传统的记忆实践和等级制度。
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来源期刊
CiteScore
0.60
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0.00%
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0
期刊介绍: In its new revised form Museum International is a forum for intellectually rigorous discussion of the ethics and practices of museums and heritage organizations. The journal aims to foster dialogue between research in the social sciences and political decision-making in a changing cultural environment. International in scope and cross-disciplinary in approach Museum International brings social-scientific information and methodology to debates around museums and heritage, and offers recommendations on national and international cultural policies.
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