"For America to Rise It's a Matter of Black Lives / And We Gonna Free Them, So We Can Free Us": 13th and Social Justice Documentaries in the Age of "Fake News"
{"title":"\"For America to Rise It's a Matter of Black Lives / And We Gonna Free Them, So We Can Free Us\": 13th and Social Justice Documentaries in the Age of \"Fake News\"","authors":"D. Dietrich","doi":"10.5325/pacicoasphil.54.2.0220","DOIUrl":null,"url":null,"abstract":"Abstract:Given that documentary methodologies are situated within a digital media ecology today, this article considers the ramifications of social justice films that purport to establish emancipatory truth claims in an era of \"fake news.\" In addition to treating documentary filmmaking as a methodology, rather than a discrete film genre, this article demonstrates the ways in which participatory media culture is reshaping what gets defined as \"truth\" and how it is achieved. Looking specifically at racial justice themes in Ava DuVernay's 13th, this article observes how documentary rhetorics are part of a larger media ecology that includes Twitter, Facebook, YouTube, and Instagram. Perhaps a defining feature of our cultural moment--at the same time that there is great suspicion regarding the relationship of images to \"truth,\" there is also a great need and desire to establish non-racist narratives to counter the hegemonic historiography that passes for the \"real\" in U.S. culture. This article demonstrates how social justice documentarians are stepping up to the challenge.","PeriodicalId":41712,"journal":{"name":"Pacific Coast Philology","volume":"54 1","pages":"220 - 251"},"PeriodicalIF":0.0000,"publicationDate":"2019-11-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Pacific Coast Philology","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5325/pacicoasphil.54.2.0220","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 1
Abstract
Abstract:Given that documentary methodologies are situated within a digital media ecology today, this article considers the ramifications of social justice films that purport to establish emancipatory truth claims in an era of "fake news." In addition to treating documentary filmmaking as a methodology, rather than a discrete film genre, this article demonstrates the ways in which participatory media culture is reshaping what gets defined as "truth" and how it is achieved. Looking specifically at racial justice themes in Ava DuVernay's 13th, this article observes how documentary rhetorics are part of a larger media ecology that includes Twitter, Facebook, YouTube, and Instagram. Perhaps a defining feature of our cultural moment--at the same time that there is great suspicion regarding the relationship of images to "truth," there is also a great need and desire to establish non-racist narratives to counter the hegemonic historiography that passes for the "real" in U.S. culture. This article demonstrates how social justice documentarians are stepping up to the challenge.
期刊介绍:
Pacific Coast Philology publishes peer-reviewed essays of interest to scholars in the classical and modern languages, literatures, and cultures. The journal publishes two annual issues (one regular and one special issue), which normally contain articles and book reviews, as well as the presidential address, forum, and plenary speech from the preceding year''s conference. Pacific Coast Philology is the official journal of the Pacific Ancient and Modern Language Association, a regional branch of the Modern Language Association. PAMLA is dedicated to the advancement and diffusion of knowledge of ancient and modern languages and literatures. Anyone interested in languages and literary studies may become a member. Please visit their website for more information.