No Canvas, No Rules

Q3 Arts and Humanities Proceedings from the Document Academy Pub Date : 2022-12-01 DOI:10.35492/docam/9/2/14
Francisca Ugalde
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Abstract

This presentation activity is a creative exploration of the concept of DIS-EASE, as in the absence of ease, uneasiness, or discomfort. Conceptually, I am exploring DIS-EASE in three ways: As you can see, I am painting directly onto the gallery wall. As the keeper of these galleries, I can assure you that this is a big no-no. I mean how dare anyone disturb these pristine surfaces?! The rationale behind my discomfort is rooted in the idea that the gallery is a sacred space, and that these walls ought to be kept pristine so that the objects displayed against them can “speak for themselves.” And mind you, they will go back to white, but returning this wall to a perfect white surface will take more than just priming and painting, but I will deal with that later. Since I’m painting directly onto the gallery wall, this piece will cease to exist the moment we paint over it in order to return the gallery to its pristine neutral background to accommodate an exhibition that is scheduled to open in this very space in about two months. The impermanence of this painting goes against every fiber of my painter soul. The idea of spending all this time and materials on something that will not survive tends to be counterintuitive to most artists, who are not known for having excess resources. A final way this activity will cause me discomfort is by extending the invitation to DOCAM to join me in painting. As a maker of things with very particular opinions on how things need to look, I tend to prefer to do all of the things myself—that way it will be done the way I would do it.
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没有画布,没有规则
这种演示活动是对DIS-EASE概念的创造性探索,就像在没有轻松、不安或不适的情况下一样。从概念上讲,我以三种方式探索DIS-EASE:正如你所看到的,我直接在画廊墙上作画。作为这些画廊的管理者,我可以向你保证,这是一个很大的禁忌。我的意思是,怎么敢有人扰乱这些原始的表面?!我感到不舒服的原因是,画廊是一个神圣的空间,这些墙应该保持原始,这样对着墙展示的物体就可以“不言自明”。请注意,它们会恢复到白色,但要让这堵墙恢复到完美的白色表面,需要的不仅仅是底漆和油漆,但我稍后会处理。由于我是直接在画廊墙上作画,所以当我们在上面作画时,这件作品将不复存在,以便使画廊恢复到原始的中性背景,以容纳计划在大约两个月后在这个空间开幕的展览。这幅画的无常违背了我画家灵魂的每一根纤维。对于大多数艺术家来说,把所有这些时间和材料都花在无法生存的东西上的想法往往是违反直觉的,因为他们并不以拥有多余的资源而闻名。这项活动会让我感到不舒服的最后一种方式是邀请DOCAM加入我的绘画。作为一个对事物的外观有着特殊见解的人,我倾向于自己做所有的事情——这样就会按照我的方式来做。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Proceedings from the Document Academy
Proceedings from the Document Academy Arts and Humanities-Conservation
CiteScore
0.10
自引率
0.00%
发文量
9
审稿时长
10 weeks
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