Between Erasmus and More, Abraxa(s), an Anamorphic Name

IF 0.4 N/A MEDIEVAL & RENAISSANCE STUDIES Erasmus Studies Pub Date : 2019-03-13 DOI:10.1163/18749275-03901003
B. Perona
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引用次数: 0

Abstract

Before Utopus conquered the island, it was called Abraxa. To create its initial name, Thomas More shortened the name of a deity, invented by the Syrian Christian gnostic teacher Basilides, Abraxas. This note seeks to explain this change by studying the occurrences of the word Abraxas in Erasmus’ work (edition of St Jerome’s works, Praise of Folly). Abraxa then appears as an anamorphic name, an effort of wisdom and a sign of pride. The utopian wisdom is condemned to death. The dialogue between Erasmus and More through this word shows how much the anamorphic woodcuts of Ambrosius Holbein are an excellent illustration of what Abraxa/Utopia is: an ironic invention of a self-conscious pride.
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在伊拉斯谟和莫尔之间,Abraxa(s),一个变形名称
在乌托图斯征服这个岛之前,它被称为Abraxa。为了创造它最初的名字,托马斯·莫尔(Thomas More)缩短了一个神的名字,这个名字是由叙利亚基督教诺斯底派教师巴利德斯发明的,阿布拉克斯(Abraxas)。本文试图通过研究“Abraxas”这个词在伊拉斯谟作品中的出现来解释这一变化(圣杰罗姆作品的版本,《愚蠢的赞美》)。然后,Abraxa作为一个变形的名字出现,是智慧的努力和骄傲的标志。乌托邦式的智慧被判了死刑。通过这个词,伊拉斯谟和莫尔之间的对话表明,安布罗修斯·霍尔拜因的变形木刻是一个很好的例子,说明了什么是Abraxa/乌托邦:一个自我意识骄傲的讽刺发明。
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来源期刊
Erasmus Studies
Erasmus Studies MEDIEVAL & RENAISSANCE STUDIES-
CiteScore
0.40
自引率
0.00%
发文量
12
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