‘From objects to subjects: the museumification of Blackness in Mexico’*

Q1 Social Sciences African and Black Diaspora Pub Date : 2020-01-02 DOI:10.1080/17528631.2019.1637604
Talia Weltman-Cisneros
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Abstract

ABSTRACT The performative role of the museum as a ‘historical map’ has long served to construct strategic cartographies of identity and community. In addition, the nature of the relational experiences within museum spaces, places these histories and cartographies in a contact zone, in which structures of power and agency influence the locus of enunciation through which subjecthood and objecthood are derived. This essay examines the influential role of museums in Mexico in imaging, framing, and performing strategic configurations of mexicanidad. Particularly, I interrogate how museums have historically muted and made invisible the representation of Mexicans of African descent.Then, I analyze two important regional museums and theorize how they present a transition from objecthood to subjecthood, in which Afro-Mexican knowledge and consciousness is reified to configure an alternative mapping of African heritage within the space of museums and within constructions of racial formations and narratives of being and belonging in Mexico.
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“从客体到主体:墨西哥黑人的博物馆化”*
摘要博物馆作为“历史地图”的表演角色长期以来一直致力于构建身份和社区的战略地图。此外,博物馆空间内关系体验的性质将这些历史和地图置于一个接触区,在这个接触区中,权力和代理结构影响着主体和客体的表达位置。本文考察了墨西哥博物馆在墨西哥的形象、框架和执行战略配置方面的影响力。特别是,我质疑博物馆在历史上是如何压制和隐藏非裔墨西哥人的形象的。然后,我分析了两个重要的地区博物馆,并对它们如何呈现从客体到主体的转变进行了理论化,在这一转变中,非裔墨西哥人的知识和意识被具体化,以在博物馆的空间内,在墨西哥存在和归属的种族构成和叙事的构建中,配置非洲遗产的替代映射。
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来源期刊
African and Black Diaspora
African and Black Diaspora Social Sciences-Cultural Studies
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