Decolonizing History

Olivia C. Harrison
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引用次数: 1

Abstract

The borders between North and South quickly erode when we study the history of anti-colonial revolutions. This is perhaps especially true of France, where the Palestinian revolution has been a rallying cry in the struggle for migrant rights for the past half century. This article investigates the reactivation of anti-colonialism in the postcolonial era, tracing the decades-long “postcolonial anti-colonial” movements born in migrant circles in France, from the 1970s to the present. What happens to the notion of anti-colonial revolution when it is brought back to the metropole? How does it change when it is brought to bear on the migrant question? First posed by the Palestine committees forged by migrant workers, foreign students, and Maoist militants in the wake of the September 1970 massacre of Palestinians in Jordan, these questions have shaped discourses around migrant rights in France for the past fifty years. In conclusion, this article revisits the archive of the migrant theater collective Al Assifa as it is remediated in Bouchra Khalili's 2017 film The Tempest Society, and speculates on the current place of migration in world historical discourses of decolonization.
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他们的历史
当我们研究反殖民革命的历史时,南北之间的边界很快就被侵蚀了。法国可能尤其如此,在过去的半个世纪里,巴勒斯坦革命一直是争取移民权利斗争的集结号。本文考察了后殖民时代反殖民主义的复活,追溯了从20世纪70年代到现在,法国移民圈中诞生的长达数十年的“后殖民反殖民”运动。当反殖民革命的概念被带回大都市时,它会发生什么?当它涉及到移民问题时,它会发生什么变化?这些问题最初是由移民工人、外国学生和毛派武装分子在1970年9月约旦大屠杀后成立的巴勒斯坦委员会提出的,在过去50年里,这些问题塑造了法国关于移民权利的讨论。最后,本文回顾了移民剧团Al Assifa的档案,因为它在Bouchra Khalili 2017年的电影《暴风雨社会》中得到了修复,并推测了世界非殖民化历史话语中移民的当前位置。
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0.90
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0.00%
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54
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