Towards a Response-Able Electroacoustic Composition Practice: In Search of Sympoietic Multivalence

IF 0.3 0 MUSIC Musicologist Pub Date : 2021-06-30 DOI:10.33906/musicologist.885272
Fulya Ucanok
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Abstract

This paper proposes a relational model for electroacoustic composition practice. In the model, relationality focuses on perspectives of response-ability of the composer with more-than-human agents, within an entangled sympoietic musical space. Here, the response-practices are built on acts of listening that entail, aural analysis and embodied practice with material objects. Within the scope of this paper, more-than-human agents are narrowed down to only recorded sounds (fixed media sound files) and physical material objects. In investigating such response-able compositional practices, the model follows Post-humanist and New-materialist strands focusing on various concepts proposed by Karen Barad and Donna Haraway. And in doing so, it aims to re-figure some of the conventional discourses about the concepts of poietic agency, and of multivalence within the composition practice.
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迈向可响应的电声作曲实践:寻找同音多价
本文提出了电声合成实践的关系模型。在该模型中,关系性侧重于作曲家在一个纠缠的交感音乐空间中与人类以外的主体的反应能力。在这里,反应练习建立在听力行为的基础上,包括听觉分析和对实物的具体实践。在本文的范围内,超过人类的代理被缩小到仅记录的声音(固定媒体声音文件)和物理物质对象。在研究这种可回应的创作实践时,该模型遵循后人文主义和新唯物主义的思路,重点关注Karen Barad和Donna Haraway提出的各种概念。在这样做的过程中,它旨在重新塑造一些关于生成能动性和作文实践中的多价性概念的传统话语。
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