{"title":"Introduction: Performing Royal Power in Premodern Europe","authors":"Aidan Norrie, Sophie Shorland","doi":"10.21039/RSJ.316","DOIUrl":null,"url":null,"abstract":"This introduction considers the mediums and forms through which royal power was performed in premodern Europe, including civic entertainments, coronations, pageants, progresses, and the explosion of print culture that helped disseminate and shape many of these events. Power and performance have always been interlinked, with rulers and the ruled acutely aware of the necessity of ritual and image. This connection could be particularly important at times of crisis or political transition. The introduction makes connections between the articles in this special issue, which offer new perspectives on the participatory and dialogic nature of performing power in premodern Europe.","PeriodicalId":36175,"journal":{"name":"Royal Studies Journal","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2021-06-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Royal Studies Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.21039/RSJ.316","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
Abstract
This introduction considers the mediums and forms through which royal power was performed in premodern Europe, including civic entertainments, coronations, pageants, progresses, and the explosion of print culture that helped disseminate and shape many of these events. Power and performance have always been interlinked, with rulers and the ruled acutely aware of the necessity of ritual and image. This connection could be particularly important at times of crisis or political transition. The introduction makes connections between the articles in this special issue, which offer new perspectives on the participatory and dialogic nature of performing power in premodern Europe.