{"title":"“My Walking is My Dancing”: The Relationship between Dance and Music in Anne Teresa De Keersmaeker’s Work","authors":"Jonas Rutgeerts","doi":"10.1080/01472526.2022.2108278","DOIUrl":null,"url":null,"abstract":"Abstract Throughout her career the Belgian choreographer Anne Teresa De Keersmaeker has created different techniques to engage in an intimate relationship with musical compositions, using these compositions to drive the development of her choreographic oeuvre. I argue that walking can be defined as one of the main choreographic devices used in De Keersmaeker’s late works. In analyzing En Atendant (2010) and Cesena (2011), I explore how De Keersmaeker uses walking to inscribe the bodies of the dancers into the music.","PeriodicalId":42141,"journal":{"name":"DANCE CHRONICLE","volume":"45 1","pages":"229 - 249"},"PeriodicalIF":0.1000,"publicationDate":"2022-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"DANCE CHRONICLE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/01472526.2022.2108278","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"DANCE","Score":null,"Total":0}
引用次数: 0
Abstract
Abstract Throughout her career the Belgian choreographer Anne Teresa De Keersmaeker has created different techniques to engage in an intimate relationship with musical compositions, using these compositions to drive the development of her choreographic oeuvre. I argue that walking can be defined as one of the main choreographic devices used in De Keersmaeker’s late works. In analyzing En Atendant (2010) and Cesena (2011), I explore how De Keersmaeker uses walking to inscribe the bodies of the dancers into the music.
期刊介绍：
For dance scholars, professors, practitioners, and aficionados, Dance Chronicle is indispensable for keeping up with the rapidly changing field of dance studies. Dance Chronicle publishes research on a wide variety of Western and non-Western forms, including classical, avant-garde, and popular genres, often in connection with the related arts: music, literature, visual arts, theatre, and film. Our purview encompasses research rooted in humanities-based paradigms: historical, theoretical, aesthetic, ethnographic, and multi-modal inquiries into dance as art and/or cultural practice. Offering the best from both established and emerging dance scholars, Dance Chronicle is an ideal resource for those who love dance, past and present. Recently, Dance Chronicle has featured special issues on visual arts and dance, literature and dance, music and dance, dance criticism, preserving dance as a living legacy, dancing identity in diaspora, choreographers at the cutting edge, Martha Graham, women choreographers in ballet, and ballet in a global world.
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