Die Welt als Dorf: Neue Heimatromane von Dörte Hansen und Juli Zeh aus ecocritical Perspektive

IF 0.1 0 LITERATURE, GERMAN, DUTCH, SCANDINAVIAN Monatshefte Pub Date : 2022-12-14 DOI:10.3368/m.114.4.574
Anke S. Biendarra
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引用次数: 1

Abstract

This essay focuses on the question of how relationships between humans and nature, Heimat and the provinces are negotiated narratively and aesthetically in Mittagsstunde (2018) by Dorte Hansen and Unterleuten (2016) by Juli Zeh. I read both novels as part of a new Rural Criticism that seeks to problematize human life in the Anthropocene and is committed to the critical interpretation of contemporary histories and realities. Both texts illustrate the urgent ecocrit-ical problems that the process of our civilizing nature, its economic utilization, and the climate crisis have engendered. I show that in the novels, weather, natural spaces, the protection of the environment, and alternative energies serve as catalysts for moving the plot forward. At the same time, these phenomena illustrate the close enmeshment of the characters with the surrounding natural world and the way it shapes their identity. Ultimately, I argue that while both texts can be read as manifestations of solastalgia, they also represent aesthetic approaches to climate change and environmental destruction that could aid in the establishment of a New Climatic Regime (Bruno Latour). (ASB, in German)
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作为一个村庄的世界:生态批判视角下的汉森和泽的新乡土小说
本文在Dorte Hansen的Mittagsstunde(2018)和Juli Zeh的Unterleuten(2016)中重点探讨了人与自然、Heimat与各省之间的关系是如何在叙事和美学上进行协商的问题。我读这两部小说都是作为新农村批评的一部分,该批评试图将人类世的人类生活问题化,并致力于对当代历史和现实的批判性解读。这两个文本都说明了我们的自然文明进程、自然的经济利用和气候危机所产生的紧迫的生态批评问题。我表明,在小说中,天气、自然空间、环境保护和替代能源是推动情节发展的催化剂。同时,这些现象说明了人物与周围自然世界的紧密联系,以及自然世界塑造他们身份的方式。最终,我认为,虽然这两本书都可以被解读为慰藉的表现,但它们也代表了应对气候变化和环境破坏的美学方法,这可能有助于建立新的气候制度(Bruno Latour)。(ASB,德语)
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Monatshefte
Monatshefte LITERATURE, GERMAN, DUTCH, SCANDINAVIAN-
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