Calixa Lavallée and the Construction of a National Anthem

IF 0.1 3区 艺术学 0 MUSIC MUSICAL QUARTERLY Pub Date : 2020-06-28 DOI:10.1093/musqtl/gdaa004
Ross W. Duffin
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引用次数: 0

Abstract

Calixa Lavallée's O Canada, composed in 1880, is beloved there as the national anthem, and admired around the world. Little known today, even in his home country, Lavallée enjoyed an international career as a performer and educator, and spent many years as a “popular” musician in the United States before turning exclusively to “classical” music. This article attempts to demonstrate that, contrary to the received view of the anthem as essentially Canadian, Lavallée used his broad experience of European and American music to assemble his “chant national” from a handful of pre-existing works.
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卡利萨·拉瓦尔·卡梅和国歌的创作
1880年创作的《哦,加拿大》(O Canada)在加拿大被奉为国歌,并受到全世界的敬仰。如今,即便是在他的祖国,他也不为人所知。作为一名表演者和教育家,他在国际上享有盛誉,在美国做了多年的“流行”音乐家,后来才完全转向“古典”音乐。这篇文章试图证明,与公认的国歌本质上是加拿大国歌的观点相反,lavallsamade利用他对欧洲和美国音乐的广泛经验,从少数已有的作品中组合出了他的“国歌”。
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来源期刊
CiteScore
0.30
自引率
0.00%
发文量
13
期刊介绍: The Musical Quarterly, founded in 1915 by Oscar Sonneck, has long been cited as the premier scholarly musical journal in the United States. Over the years it has published the writings of many important composers and musicologists, including Aaron Copland, Arnold Schoenberg, Marc Blitzstein, Henry Cowell, and Camille Saint-Saens. The journal focuses on the merging areas in scholarship where much of the challenging new work in the study of music is being produced.
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