François Le Roux and Romain Raynaldy, Le Chant Intime: The Interpretation of French Mélodie, trans. Sylvia Kahan (New York: Oxford University Press, 2021). x + 283 pp. $99.00.
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引用次数: 0
Abstract
This book addresses students, teachers, performers, and scholars who wish to fathom the unique nature of the French vocal genre of the mélodie, doing so in a warmly personal manner that may surprise as well as please. Le chant intime: De l’interprétation de la mélodie française originally was published in 2004, and this slightly expanded English-language version is welcome, given the globally increasing interest in nineteenth-century French aural culture among musicians and audiences today. Although there is an expanding array of resources devoted to themélodie, this one differs in design and substance. Within the Foreword, journalist Romain Raynaldy reveals its origins as interviews with the baritone François Le Roux: ‘I suggested that François not take amusicological approach to French art song, but rather to write the kind of work that would allow his readers to discover and expand their understanding in a lively and accessible language’ (p. ix). Within the Introduction, Le Roux surveys its structure:
François Le Roux和Romain Raynaldy，Le Chant Intime：法国梅洛迪的诠释，跨性别。Sylvia Kahan（纽约：牛津大学出版社，2021）。x+283页99.00美元。
这本书面向那些希望深入了解法国声乐流派梅洛迪的独特性质的学生、教师、表演者和学者，以一种热情的个人方式进行探索，这可能会让他们感到惊讶，也可能会让人感到高兴。Le chant intime:De l’interpétation De la mélodie française最初于2004年出版，鉴于当今全球音乐家和观众对19世纪法国听觉文化的兴趣日益浓厚，这一略微扩展的英语版本受到欢迎。尽管有越来越多的资源专门用于他们的住所，但这一次在设计和实质上都有所不同。在前言中，记者罗曼·雷纳尔迪（Romain Raynaldy）通过对男中音弗朗索瓦·勒鲁（François Le Roux）的采访揭示了它的起源：“我建议弗朗索瓦不要对法国艺术歌曲采取有趣的方法，而是要写一种作品，让他的读者能够用生动易懂的语言发现并扩大他们的理解”（第九页）。在引言中，Le Roux对其结构进行了调查：
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