An Interdisciplinary Approach to Gender Affirming Voice Training

IF 0.6 Q1 Arts and Humanities Voice and Speech Review Pub Date : 2022-03-09 DOI:10.1080/23268263.2022.2050001
Colleen Conroy, O. Karcher, Kevin Pasternak
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Abstract

ABSTRACT This article describes a collaboration between a cisgender speech-language pathologist, a cisgender theatre arts voice practitioner, and a transgender art therapist to construct community-based voice feminization workshops. The evidence-based approach to speech-language pathology pairs well with the expressive methodologies of the theatre arts and the trauma-informed considerations of transpersonal art therapy. There are limitations to viewing gender affirming voice training solely from the lens of one discipline, and gatekeeping of resources is an issue for the transgender community. The literature about voice training presumes the highest discipline is that of the medical/scientific field and reinforces bias that undermines the rigor and legitimacy of the vast resource available in the expressive arts. When these biases and cisgender privilege are examined and humility is employed, powerful results can occur from collaboration. Specific exercises are described, and recommendations are made for practitioners wanting to offer similar programing for transgender people seeking vocal training.
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一个跨学科的方法来确认性别的声音训练
本文描述了一名顺性语言病理学家、一名顺性戏剧艺术声音实践者和一名跨性别艺术治疗师之间的合作,以构建基于社区的声音女性化研讨会。以证据为基础的语言病理学方法与戏剧艺术的表达方法和创伤知情的超个人艺术治疗的考虑相结合。仅仅从一个学科的角度来看待性别肯定的声音训练是有局限性的,而且资源的把关是跨性别群体的一个问题。关于声音训练的文献假设最高的学科是医学/科学领域,并强化了偏见,破坏了表达艺术中大量可用资源的严谨性和合法性。当这些偏见和顺性别特权被审视并被谦卑所运用时,合作就会产生强有力的结果。本文描述了具体的练习,并为想要为寻求声乐训练的跨性别人士提供类似课程的从业者提出了建议。
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来源期刊
Voice and Speech Review
Voice and Speech Review Arts and Humanities-Visual Arts and Performing Arts
CiteScore
1.00
自引率
66.70%
发文量
51
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