Dancing Right(s): Dance, Disability and Legal Empowerment in Post-War Sri Lanka

IF 0.3 3区 艺术学 0 DANCE Dance Research Pub Date : 2020-12-11 DOI:10.3366/drs.2020.0319
H. Blades
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Abstract

Sri Lanka's long civil war (1983–2009) resulted in large-scale personal, physical and social trauma and a high number of deaths. Furthermore, many people became disabled due to the war. Disabled people in Sri Lanka have often been marginalized and excluded from the public sphere. Whilst there are initiatives to support disabled people from both the State and Non-Governmental Organisations, support often adopts a charity-based approach which has been criticised for contributing to marginalisation and the dependency of disabled people on others. Performing Empowerment (2016–18) was a research project that responded to this context by seeking to examine whether combining dance workshops with human rights education might lead to greater legal empowerment for disabled people in Sri Lanka. In this paper, I reflect on the experiences of five Tamil women who took part in the project, outlining how they gained confidence and rights awareness which enabled them to self-advocate and make changes to their everyday lives, demonstrating increased legal empowerment. I argue that this change arose in part through different forms of performance that they experienced within the workshops, which enabled a series of transportations from their daily lives.
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舞蹈权利:战后斯里兰卡的舞蹈、残疾和法律赋权
斯里兰卡的长期内战(1983年至2009年)造成了大规模的个人、身体和社会创伤,并造成大量死亡。此外,许多人因战争而致残。斯里兰卡的残疾人经常被边缘化,被排除在公共领域之外。虽然国家和非政府组织都采取了支持残疾人的举措,但支持往往采取基于慈善的方式,这被批评为助长了残疾人的边缘化和对他人的依赖。表演赋权(2016-18)是一个针对这一背景的研究项目,旨在研究将舞蹈讲习班与人权教育相结合是否可以为斯里兰卡残疾人带来更大的法律赋权。在这篇论文中,我回顾了五名参与该项目的泰米尔妇女的经历,概述了她们是如何获得信心和权利意识的,这使她们能够自我倡导并改变日常生活,展示了法律赋权的增强。我认为,这种变化在一定程度上是由于他们在车间中体验到的不同形式的表现,这使得他们能够从日常生活中进行一系列的运输。
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CiteScore
0.40
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0.00%
发文量
9
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