{"title":"Writing with silent bodies: a pandemic play in three scenes","authors":"M. Kostera, Anke Strauss, J. Kociatkiewicz","doi":"10.1080/14759551.2022.2156505","DOIUrl":null,"url":null,"abstract":"The following text is a play co-written as a response to, and a remembrance of, the experiences during the height of the COVID-19 pandemic. It is based on writing during lockdown that was meant to make sense of our own experiences as academic labourers and those gained from informal conversations with colleagues. Following the conventions and the sensibilities of theatre, the text demands and offers a (re-)embodiment of voices and affectivities that connected those bodies in a situation in which bodies were absent, yet highly present in their vulnerability. We thus invite the readers to treat the text primarily as a stageable drama rather than an academic paper given unusual form. An introduction that belongs to a more classical academic genre expresses our inspirations and relevant points of reference. A short prose coda hints towards some of the insights we have gained by crafting the play.","PeriodicalId":10824,"journal":{"name":"Culture and Organization","volume":null,"pages":null},"PeriodicalIF":1.2000,"publicationDate":"2022-12-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Culture and Organization","FirstCategoryId":"91","ListUrlMain":"https://doi.org/10.1080/14759551.2022.2156505","RegionNum":4,"RegionCategory":"管理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"MANAGEMENT","Score":null,"Total":0}
引用次数: 0
Abstract
The following text is a play co-written as a response to, and a remembrance of, the experiences during the height of the COVID-19 pandemic. It is based on writing during lockdown that was meant to make sense of our own experiences as academic labourers and those gained from informal conversations with colleagues. Following the conventions and the sensibilities of theatre, the text demands and offers a (re-)embodiment of voices and affectivities that connected those bodies in a situation in which bodies were absent, yet highly present in their vulnerability. We thus invite the readers to treat the text primarily as a stageable drama rather than an academic paper given unusual form. An introduction that belongs to a more classical academic genre expresses our inspirations and relevant points of reference. A short prose coda hints towards some of the insights we have gained by crafting the play.
期刊介绍：
Culture and Organization was founded in 1995 as Studies in Cultures, Organizations and Societies . It represents the intersection of academic disciplines that have developed distinct qualitative, empirical and theoretical vocabularies to research organization, culture and related social phenomena. Culture and Organization features refereed articles that offer innovative insights and provoke discussion. It particularly offers papers which employ ethnographic, critical and interpretive approaches, as practised in such disciplines as organizational, communication, media and cultural studies, which go beyond description and use data to advance theoretical reflection. The Journal also presents papers which advance our conceptual understanding of organizational phenomena. Culture and Organization features refereed articles that offer innovative insights and provoke discussion. It particularly offers papers which employ ethnographic, critical and interpretive approaches, as practised in such disciplines as communication, media and cultural studies, which go beyond description and use data to advance theoretical reflection. The journal also presents papers which advance our conceptual understand-ing of organizational phenomena.
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