Extreme dwelling: Assembling domus horribilis

IF 1.7 3区 社会学 Q2 CRIMINOLOGY & PENOLOGY Crime Media Culture Pub Date : 2021-03-23 DOI:10.1177/17416590211004664
E. Campbell
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引用次数: 1

Abstract

10 Rillington Place names the site of temporally extensive practices of murder (1943–1953), and offers an empirical entry point for critically advancing the conceptual innovations of relational approaches to the criminological study of ‘home’. In so doing, the paper, firstly, (re)conceptualises serial homicide as practice, more specifically as a mode of domestic labour which materialises in and is enacted through the relational dynamics of everyday residential life; and secondly, rejects the notion of ‘home’ and argues for the concept of dwelling to better capture the active, generative and fluid dynamics of domestic life. This subtle shift in conceptual approach acknowledges how domus horribilis is etched from, and woven through the topological entanglements of everyday and extreme practices, and moves us toward an alternative set of conceptual commitments in our research of domestic space. Drawing from a mixed portfolio of cultural media (including archival, epistolary, journalistic, photographic, filmic, architectural, museological and dramaturgical data), the paper takes forward Schatzki’s site ontology as an organising framework for practice-based analytics, and advances the critical insights of an embryonic criminology of the domestic.
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极端居住:组装恐怖圆顶
10林顿广场命名了时间上广泛的谋杀实践的地点(1943-1953),并为批判性地推进“家”犯罪学研究的关系方法的概念创新提供了一个经验切入点。在这样做的过程中,本文首先(重新)将连环杀人案概念化为实践,更具体地说,是一种家庭劳动模式,它在日常居住生活的关系动态中具体化并通过其制定;其次,拒绝“家”的概念,并主张住宅的概念,以更好地捕捉家庭生活的活跃、生成和流动的动力。这种概念方法上的微妙转变承认了“恐怖家园”是如何从日常和极端实践的拓扑纠缠中被蚀化和编织的,并将我们推向了我们对家庭空间研究的另一套概念承诺。从混合的文化媒体组合(包括档案,书信,新闻,摄影,电影,建筑,博物馆学和戏剧数据)中,本文提出了Schatzki的现场本体作为基于实践的分析的组织框架,并提出了国内犯罪学雏形的关键见解。
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来源期刊
CiteScore
3.80
自引率
11.10%
发文量
33
期刊介绍: Crime, Media, Culture is a fully peer reviewed, international journal providing the primary vehicle for exchange between scholars who are working at the intersections of criminological and cultural inquiry. It promotes a broad cross-disciplinary understanding of the relationship between crime, criminal justice, media and culture. The journal invites papers in three broad substantive areas: * The relationship between crime, criminal justice and media forms * The relationship between criminal justice and cultural dynamics * The intersections of crime, criminal justice, media forms and cultural dynamics
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