Arte y liturgia en los monasterios de dominicas en Castilla. Desde los orígenes hasta la reforma observante (1218–1506). By mercedes pérez vidal.

IF 0.2 2区 历史学 0 ARCHAEOLOGY Journal of the British Archaeological Association Pub Date : 2023-08-11 DOI:10.1080/00681288.2023.2234743
P. Díaz
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引用次数: 1

Abstract

1. See also V. Ivanovici, G. Herea and A. I. Sullivan, ‘Space, Image, Light: Toward an Understanding of Moldavian Architecture in the Fifteenth Century’, Gesta, 60 (2021), 81–100, with useful diagrams and a more extensive bibliography. 2. S. C. McCluskey, ‘Analyzing Light-and-Shadow Interactions’, in Handbook of Archaeoastronomy and Ethnoastronomy, ed. C. L. N. Ruggles (New York 2015), 434. 3. For this approach, see B. Pentcheva, ‘Glittering Eyes: Animation in the Byzantine Eik on and the Western Imago’, Codex Aqvilarensis, 32 (2016), 209–36.
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卡斯提尔多米尼加修道院的艺术和礼拜仪式。从起源到观察宗教改革(1218 - 1506)。她的父亲是一名律师,母亲是一名律师。
1.另见V.Ivanovici、G.Herea和A.I.Sullivan,“空间、图像、光:走向对十五世纪摩尔达维亚建筑的理解”,盖斯塔,60(2021),81–100,提供有用的图表和更广泛的参考书目。2.S.C.McCluskey,“分析光和影的相互作用”,载于《考古天文学和民族天文学手册》,C.L.N.Ruggles编辑(纽约,2015年),434。3.关于这种方法,请参见B.Pentcheva,“闪闪发光的眼睛:拜占庭Eik on和西方Imago的动画”,Codex Aquvilarensis,32(2016),209–36。
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