{"title":"Inside a frame, behind a glass. A preliminary inquiry on law and film in Japan","authors":"Giacomo Calorio, G. Colombo","doi":"10.1080/17521483.2020.1729945","DOIUrl":null,"url":null,"abstract":"ABSTRACT This paper provides both lawyers and cinema experts with some insights about the depiction of law and criminal justice in films in Japan. In recent years, there has been an increasing interest of the Japanese movie industry towards ‘courtrooms drama’, i.e., films set in tribunals and having lawyers, judges, and prosecutors as main characters: a small ‘Golden Age’ of law as depicted in Japanese cinema. This paper (co-written by a comparative lawyer and a film studies specialist) will address this phenomenon from two perspectives: one from a legal studies and popular culture framework, analyzing how such movies reflect – and at the same time shape – the ‘legal imagination’ in Japan. The other, from film studies, focuses on technical, directorial aspects, to emphasize how authors intend to depict the law and its actors.","PeriodicalId":42313,"journal":{"name":"Law and Humanities","volume":"14 1","pages":"112 - 83"},"PeriodicalIF":0.3000,"publicationDate":"2020-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/17521483.2020.1729945","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Law and Humanities","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/17521483.2020.1729945","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"LAW","Score":null,"Total":0}
引用次数: 1
Abstract
ABSTRACT This paper provides both lawyers and cinema experts with some insights about the depiction of law and criminal justice in films in Japan. In recent years, there has been an increasing interest of the Japanese movie industry towards ‘courtrooms drama’, i.e., films set in tribunals and having lawyers, judges, and prosecutors as main characters: a small ‘Golden Age’ of law as depicted in Japanese cinema. This paper (co-written by a comparative lawyer and a film studies specialist) will address this phenomenon from two perspectives: one from a legal studies and popular culture framework, analyzing how such movies reflect – and at the same time shape – the ‘legal imagination’ in Japan. The other, from film studies, focuses on technical, directorial aspects, to emphasize how authors intend to depict the law and its actors.
期刊介绍：
Law and Humanities is a peer-reviewed journal, providing a forum for scholarly discourse within the arts and humanities around the subject of law. For this purpose, the arts and humanities disciplines are taken to include literature, history (including history of art), philosophy, theology, classics and the whole spectrum of performance and representational arts. The remit of the journal does not extend to consideration of the laws that regulate practical aspects of the arts and humanities (such as the law of intellectual property). Law and Humanities is principally concerned to engage with those aspects of human experience which are not empirically quantifiable or scientifically predictable. Each issue will carry four or five major articles of between 8,000 and 12,000 words each. The journal will also carry shorter papers (up to 4,000 words) sharing good practice in law and humanities education; reports of conferences; reviews of books, exhibitions, plays, concerts and other artistic publications.
京公网安备 11010802042870号
京ICP备2023020795号-1
分享
求助内容：
应助结果提醒方式：
扫码关注我们
