Od kulturowego pojmowania przestrzeni ku rozważaniom o wieczności. Dyskurs przestrzenny w powieści Brisbane Jewgienija Wodołazkina

M. Sidor
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引用次数: 2

Abstract

This article deals with different aspects of space in the text of Eugene Vodolazkin’s novel Brisbane as well as in its studies and reception. Successive parts of the research are devoted to lieux de mémoire in autobiographical fiction, cultural understanding of the space of the home and places which traditionally create the image of Kiev and the individual mythology of this city. Space perceived in the way modified by culture is a certain frame in which both the hero of Vodolazkin lives and a receiver reads the novel. It is also an important component of the work’s internal structure, the factor responsible for certain genre associations that determine the direction of the reading process. In all these forms of functioning, space is thematically related to the reflection on death. The author concludes that the understanding of space leads to the rejection of the physical future and the affirmation of eternity understood in a religious way, in line with medieval tradition.
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从对空间的文化理解到对永恒的沉思。布里斯本小说中的空间话语
本文探讨了尤金·沃多拉兹金小说《布里斯班》文本中空间的不同方面,以及对它的研究和接受。研究的连续部分致力于自传体小说中的massmoire,对家庭空间和地方的文化理解,这些地方传统上创造了基辅的形象和这个城市的个人神话。被文化改变的感知空间是一个特定的框架,沃多拉兹金的主人公生活在其中,接受者也在其中阅读小说。它也是作品内部结构的重要组成部分,是决定阅读过程方向的某些体裁关联的因素。在所有这些功能形式中,空间在主题上都与对死亡的反思有关。作者的结论是,对空间的理解导致了对物质未来的拒绝和对永恒的肯定,以一种符合中世纪传统的宗教方式来理解。
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审稿时长
36 weeks
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