The Cadolzburg Experience: On the Use of Sound in a Historical Museum

IF 0.2 4区 艺术学 Q2 Arts and Humanities LEONARDO MUSIC JOURNAL Pub Date : 2017-12-01 DOI:10.1162/LMJ_a_01021
Gerald Fiebig, Uta Piereth, Sebastian Karnatz
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Abstract

The museum at Cadolzburg Castle in Germany, opened in 2017, uses a sound installation to present aspects of the building’s history that could not be materially reconstructed. In this article, the curators and the sound artist explain how the installation alternates between sound effects and musical signifiers to engage visitors with their environment and to spark reflection on the problems of “authenticity” in museums. While the musical thread offers quotes from musical styles representing the castle’s history, the sound thread gradually deconstructs a “castle soundscape” inspired by film soundtracks.
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卡多兹堡体验:历史博物馆中声音的运用
位于德国卡多尔茨堡城堡的博物馆于2017年开放,使用一个声音装置来展示该建筑历史中无法进行实质性重建的部分。在这篇文章中,策展人和声音艺术家解释了装置如何在声音效果和音乐能指之间交替,以吸引游客参与他们的环境,并引发对博物馆“真实性”问题的反思。虽然音乐线索引用了代表城堡历史的音乐风格,但声音线索逐渐解构了受电影配乐启发的“城堡声景”。
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期刊介绍: Leonardo Music Journal (LMJ), is the companion annual journal to Leonardo. LMJ is devoted to aesthetic and technical issues in contemporary music and the sonic arts. Each thematic issue features artists/writers from around the world, representing a wide range of stylistic viewpoints. Each volume includes the latest offering from the LMJ CD series—an exciting sampling of works chosen by a guest curator and accompanied by notes from the composers and performers. Institutional subscribers to Leonardo receive LMJ as part of a yearly subscription.
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