Changes to the Paint Layers in The Wedding Dance

Q4 Arts and Humanities Bulletin of the Detroit Institute of Arts Pub Date : 2019-01-01 DOI:10.1086/707429
Blair Bailey
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Abstract

e paint on a painting is not immune to the passage of time. Changes to the paint occur for a variety of reasons and at numerous points during the life of a painting. Some natural changes begin immediately as chemical reactions cause the paint to dry. Other natural degradation takes longer to occur and depends on the materials present, as well as what they are exposed to over time. In addition, human intervention can begin a dierent cycle of degradation. Paintings are sometimes vandalized, and this vandalism necessitates treatment—but if that treatment is done by someone who is unskilled, it can lead to further damage. Unfortunately, in the past many “restorers” sought to hide badly degraded areas of the paint layers by overpainting them (applying paint not just within the areas of actual paint loss but also beyond those areas, on top of the artist’s paint). Using the two copies of Bruegel’s painting (see Part 10, p. 96), as well as a color print presumed to be from the 1930s (see Part 11, p. 110), we have determined what types of degradation contributed to the present condition of e Wedding Dance, as well as what the painting may have looked like before each change occurred.
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更改了婚礼舞蹈的油漆层
画上的颜料难免会受到时间流逝的影响。在一幅画的生命周期中,由于各种原因和许多点,油漆会发生变化。由于化学反应导致油漆干燥,一些自然变化立即开始。其他自然降解需要更长的时间才能发生,这取决于存在的材料,以及它们随着时间的推移暴露在什么环境中。此外,人为干预可能开始一个不同的退化循环。画作有时会遭到破坏,这种破坏需要处理——但如果这种处理是由不熟练的人进行的,可能会导致进一步的损害。不幸的是,在过去,许多“修复者”试图通过过度涂漆来隐藏油漆层严重退化的区域(不仅在实际油漆损失的区域内涂漆,而且在这些区域之外,在艺术家的油漆上涂漆)。利用勃鲁盖尔这幅画的两幅复制品(见第10部分,第96页),以及一幅据推测来自20世纪30年代的彩色版画(见第11部分,第110页),我们已经确定了哪些类型的退化导致了《婚礼之舞》的现状,以及这幅画在每次变化发生之前的样子。
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Bulletin of the Detroit Institute of Arts
Bulletin of the Detroit Institute of Arts Arts and Humanities-Visual Arts and Performing Arts
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