Drownings in the Dark: The Politics of Secret Executions in Antwerp, 1557-1565

Q2 Arts and Humanities Early Modern Low Countries Pub Date : 2021-06-21 DOI:10.51750/emlc10008
Isabel Casteels
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Abstract

Between 1557 and 1565, the Antwerp city council carried out almost all of its executions of religious dissidents by drowning them in secret. This presents a puzzle to current historiography, as historians of capital punishment have identified the public and spectacular nature of early modern executions as their defining elements. To understand these secret executions, this article traces contemporary notions of secrecy and openness using a wide range of sources, including chronicles, martyrologies, correspondences, and bailiff accounts. It argues that in this period, the concept of secrecy had more to do with closing off space than with hiding knowledge, and that both hiding and showing were important strategies in the performing of executions. The authorities did not control these; rather, by negotiating the dynamics of hiding and showing executions, the central authorities, local magistrates, and the religious groups whose members were being executed constructed their meaning and effect. As such, the case of the secret executions in Antwerp nuances the current paradigm of executions as public events orchestrated by authorities to display sovereign power.
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黑暗中的溺死:安特卫普秘密处决的政治,1557-1565
1557年至1565年间,安特卫普市议会几乎所有处决宗教异见人士的行动都是秘密溺死。这给当前的史学界带来了一个难题,因为死刑历史学家已经将早期现代处决的公开性和壮观性确定为其定义要素。为了理解这些秘密处决,本文使用了广泛的来源,包括编年史、殉道录、信件和法警账户,追溯了当代的秘密和公开概念。它认为,在这一时期,保密的概念更多地与封闭空间有关,而不是与隐藏知识有关,隐藏和展示都是执行处决的重要策略。当局没有控制这些;相反,通过谈判隐藏和展示处决的动态,中央当局、地方法官和其成员被处决的宗教团体构建了他们的意义和效果。因此,安特卫普的秘密处决案件微妙地反映了当前处决的模式,即当局为展示主权而策划的公共事件。
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来源期刊
Early Modern Low Countries
Early Modern Low Countries Arts and Humanities-History
CiteScore
0.30
自引率
0.00%
发文量
15
审稿时长
26 weeks
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