An analysis of the musical philosophy of modernity in Debussy's Pastoral Afternoon

IF 0.4 3区 哲学 0 PHILOSOPHY European Journal for Philosophy of Religion Pub Date : 2022-09-10 DOI:10.24204/ejpr.2021.3844
Peifan Li
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引用次数: 2

Abstract

Three variables were considered in this study: music philosophy education, Debussy aesthetic, and modernity. A questionnaire was created and filled out by students to determine the link between these variables. After using Reliability with a value of 0.8, which is regarded God for this study, Then we used Correlation to determine the relationship. The most significant part of Claude Debussy's aesthetic is nature. The majority of the French composer's music is in some way inspired by nature, and his critical articles and personal correspondence passionately urge for a synergy between music and nature. This dissertation investigates the relationship between cultural artefacts and the natural world using an increasingly relevant ecocritical lens, an interdisciplinary form of critique that aims to reconcile the complex link between the two. Set against the "long nineteenth century," Debussy's naturism, or nature worship, A Marxist historian named Eric Hobsbawm coined the term "century" and popularised it afterwards. Several academics have coined the word "interwar" to define the period in European history between the outbreak of World War I and the French Revolution. Debussy's music and criticism, according to my observations, combine to produce an honest challenge. to the environmental problems that come with unrestricted development in the twenty-first century in the United States This contribution (MEP) introduces the field of "music education" or music education. Many music educators are unaware of the existence of music education philosophy, not to mention its nature and value. Dedicated MEP courses for undergraduate and graduate music education programs are not yet common in North America and most other countries. Nevertheless, (1) analyze, summarize, discuss, or "concern" all theoretical and practical aspects of music education and, as a result, (2) notify teachers and students of music education at the university. There is a substantial and fast-growing international literature of interest. A scholar of basic concepts, concepts, controversies, principles, and practices in school and community music education.  
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德彪西《田园午后》中的现代性音乐哲学分析
本研究考虑了三个变量:音乐哲学教育、德彪西美学和现代性。学生们制作并填写了一份调查问卷,以确定这些变量之间的联系。在使用信度为0.8的信度值作为本研究的标准后,我们使用相关系数来确定关系。德彪西的美学中最重要的部分是自然。这位法国作曲家的大部分音乐都在某种程度上受到了大自然的启发,他的评论文章和个人信件热情地呼吁音乐与自然之间的协同作用。本文使用越来越相关的生态批评视角来研究文化文物与自然世界之间的关系,这是一种跨学科的批评形式,旨在调和两者之间的复杂联系。与“漫长的十九世纪”、德彪西的自然主义或自然崇拜相反,马克思主义历史学家埃里克·霍布斯鲍姆(Eric Hobsbawm)创造了“世纪”一词,并在后来普及开来。一些学者创造了“两次世界大战之间”这个词来定义第一次世界大战爆发到法国大革命之间的欧洲历史时期。根据我的观察,德彪西的音乐和批评结合在一起,产生了一个诚实的挑战。对21世纪美国不受限制的发展所带来的环境问题的研究这一贡献(MEP)引入了“音乐教育”或音乐教育领域。许多音乐教育工作者不知道音乐教育理念的存在,更不知道它的本质和价值。在北美和大多数其他国家,专门为本科和研究生音乐教育项目开设的MEP课程还不常见。然而,(1)分析、总结、讨论或“关注”音乐教育的所有理论和实践方面,并因此(2)通知大学音乐教育的教师和学生。有大量和快速增长的国际相关文献。研究学校和社区音乐教育的基本概念、概念、争议、原则和实践的学者。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.80
自引率
20.00%
发文量
53
期刊介绍: European Journal for Philosophy of Religion (EJPR) is a peer-reviewed international journal devoted to the problems of the philosophy of religion. EJPR has been founded with the aim of fostering the development of philosophy of religion in Europe and elsewhere.
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