Annual Index, Volume V (2021)

Abstract

BAYÓ BELENGUER, SUSANA & ROTHWELL, JENNIE, Introduction: The Female Imagination in Spanish Theatre and Cinema (in The Female Imagination in Spanish Theatre and Cinema, ed. Susana Bayó Belenguer & Jennie Rothwell), 189–216. DAVIES, RHIAN, Hidden Secrets, Utopias, Ghosts and the Hispanic Periphery in Los abrazos rotos (2009): Pedro Almodóvar’s Homage to Lanzarote and César Manrique, 31–60. FARRELLY, MARY, Seen and Unseen: Women, Spirituality and the Gaze on the Spanish Stage and Screen (in The Female Imagination in Spanish Theatre and Cinema, ed. Susana Bayó Belenguer & Jennie Rothwell), 325–45. FRASER, BENJAMIN, El ingenio visual de Miguel Noguera: el noveno arte vs la literatura en el cómic ‘Camilo José Cela’ (2010), 111–33. GONZÁLEZ DE CANALES CARCERENY, JÚLIA, La obra fílmica de Lucrecia Martel, Paz Encina y Tatiana Huezo a la luz del actual cine poético latinoamericano: una superación del Tercer Cine, 91–110. KEOWN, DOMINIC, When Gala met Colometa: Silvia Munt’s Documentary on the Dalinian Muse (in The Female Imagination in Spanish Theatre and Cinema, ed. Susana Bayó Belenguer & Jennie Rothwell), 217–33. LAVERY, JANE ELIZABETH, The Reception of Día de Muertos and Frida Kahlo and Their Reincarnations in the United Kingdom (2015–2020): A Question of Cultural Degeneration or Rejuvenation (Again!)?, 135–67. LEEN, CATHERINE, ShadowMen and Real Women: Shifting the Paradigms of the Chicana/o Family in Cherríe Moraga’s Shadow of a Man and Josefina López’s Real Women Have Curves (in The Female Imagination in Spanish Theatre and Cinema, ed. Susana Bayó Belenguer & Jennie Rothwell), 287–300. O’LEARY, CATHERINE, Tracing a Female History of the Theatre in Spain: From la nueva mujer moderna to the Backlash and Beyond (in The Female Imagination in Spanish Theatre and Cinema, ed. Susana Bayó Belenguer & Jennie Rothwell), 255–86. PARÍS-HUESCA, EVA, Let Us Not Forget: Female Agency and Historical (Dis)remembering in Patricia Ferreira’s Film Sé quién eres (in The Female Imagination in Spanish Theatre and Cinema, ed. Susana Bayó Belenguer & Jennie Rothwell), 301–23. PEÑA ARDID, CARMEN, De tu ventana a la mía (Paula Ortiz, 2011): genealogías femeninas en la trama de la cultura (in The Female Imagination in Spanish Theatre and Cinema, ed. Susana Bayó Belenguer & Jennie Rothwell), 347–65. *ROJINSKY, DAVID, Reconciling Myth with Photographic Histories in Leandro Katz’s El día que me quieras, 1–30. ROTHWELL, JENNIE, see Bayó Belenguer, Susana. SALMON, KATIE, Shame and Eviction in Juan Miguel del Castillo’s Techo y comida (2015), 61–89. TURC-ZINOPOULOS, SYLVIE, Rosario de Acuña: el teatro y la madre-patriota en La voz de la patria (1893) (in The Female Imagination in Spanish Theatre and Cinema, ed. Susana Bayó Belenguer & Jennie Rothwell), 235–54.