Disruptions and changing habits: The case of the Tendaguru expedition

IF 0.1 Q3 HISTORY Museum History Journal Pub Date : 2017-06-05 DOI:10.1080/19369816.2017.1328872
Marco Tamborini, Mareike Vennen
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引用次数: 2

Abstract

ABSTRACT This paper analyzes one of the biggest paleontological expeditions at the turn of the twentieth century. The Tendaguru expedition in the South of German East Africa, today’s Tanzania, took place from 1909 to 1913. Organised by Berlin’s Museum für Naturkunde, the expedition took advantage of the German colonial enterprise, unearthing and transporting over 225 tons of fossils to Berlin. Among them were the bones of what eventually became the biggest mounted dinosaur in the world: Brachiosaurus brancai. This paper focuses on the issues that interrupted or delayed the visible outcome of the Tendaguru expedition and thus complicated, delayed, or interrupted a supposedly very unproblematic enterprise. By focusing on these complications, this paper aims to give new insights into the history of the Tendaguru expedition and its aftermath. At the same time, this episode in the history of transforming natural objects into objects of natural history serves to show the ways in which disruptions shaped and transformed both paleontological fieldwork and practical work at the museum. Thereby, the paper ultimately calls attention to the complex interactions between disruptions, narratives, and object habits. It further illustrates how museum objects were shaped by misfortunes and adversity, as well as broader institutional, political, and scientific narrations in colonial and post-colonial Germany, thus continuing to reshape the object habits of Brachiosaurus brancai.
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颠覆和改变习惯:以Tendaguru探险队为例
摘要本文分析了二十世纪之交规模最大的古生物探险之一。坦达古鲁探险队于1909年至1913年在德属东非南部,即今天的坦桑尼亚进行。该探险队由柏林自然博物馆组织,利用德国的殖民事业,挖掘并向柏林运送了225多吨化石。其中包括最终成为世界上最大的挂载恐龙的骨头:布兰蔡腕龙。本文的重点是那些中断或推迟了Tendaguru探险队可见成果的问题,从而使一项本应非常没有问题的事业变得复杂、推迟或中断。通过关注这些复杂情况,本文旨在对Tendaguru探险队的历史及其后果提供新的见解。与此同时,这段将自然物体转化为自然历史物体的历史片段,展示了破坏如何塑造和改变博物馆的古生物学实地调查和实际工作。因此,本文最终呼吁人们注意干扰、叙事和对象习惯之间的复杂互动。它进一步说明了博物馆物品是如何被不幸和逆境所塑造的,以及殖民地和后殖民地德国更广泛的制度、政治和科学叙事,从而继续重塑布兰凯腕龙的物品习惯。
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来源期刊
CiteScore
0.50
自引率
0.00%
发文量
8
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