In Search of Green Men

Mercia Macdermott
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Abstract

In Explore Green Men (Heart of Albion Press, 2008) the British scholar Mercia MacDermott provided one of the most important and serious works on foliate-human iconography, which has become widely known in common parlance as the Green Man. She graciously agreed to let us reprint the chapter ‘Triple Hares and the Green Men: The Indian Connection’ along with a significantly shortened version of her introductory chapter, ‘In Search of Green Men’. Her introduction provides an important background for understanding Green Man research. The reprinted chapter suggests that Green Man iconography originated in India and subsequently journeyed to Europe with the Vikings. Because two of the articles in this issue of the JSRNC focus on such iconography in Norway, MacDermott’s proposal provides an essential baseline for exploring whether the Green Man was originally a cultural export that journeyed to Europe on a Viking ship. MacDermott’s niece, Dr. Gwen Adshead, assisted us with the editing of the article republished here; she can be contacted at Gwen.Adshead@westlondon.nhs.uk.
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寻找绿人
在《探索绿人》(阿尔比恩之心出版社,2008年)中,英国学者梅西娅·麦克德莫特(Mercia MacDermott)提供了关于叶片状人类图像学的最重要和最严肃的作品之一,用通常的说法,它被广泛称为绿人。她欣然同意让我们重印“三重Hares和绿人:印第安人的联系”一章,以及她的介绍章“寻找绿人”的大幅缩短版。她的介绍为理解绿人研究提供了重要背景。重印的章节表明,绿人肖像画起源于印度,随后随维京人前往欧洲。由于本期JSRNC中有两篇文章关注的是挪威的这种图像学,麦克德莫特的提案为探索绿人最初是否是乘坐维京船前往欧洲的文化出口提供了一个重要的基线。麦克德莫特的侄女Gwen Adshead博士协助我们编辑了在这里重新发表的文章;可以通过联系她Gwen.Adshead@westlondon.nhs.uk.
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