Reading Japanese Philosophy through Parasyte: The Paradox of Coexistence

IF 0.2 0 PHILOSOPHY Journal of Japanese Philosophy Pub Date : 2017-07-01 DOI:10.1353/JJP.2017.0003
Poon Man Wai Carol
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Abstract

Abstract:Popular culture not only entertains audiences on the surface, it even stimulates readers to work through certain contemporary issues in a way that older art forms cannot. A number of scholars have described Japanese popular culture as a powerful means to understand Japanese society via the images, movement, story, and language it contains. In this way, it may be like other, older forms of media, such as books and newspapers, which are often used as "texts" for "decoding" societal structures and values. In this article, I adopt the view that manga is a fruitful medium for capturing the prevailing issues that intersect our everyday activities, as well as the shifting of images in a constantly changing society. As manga is a useful mirror into contemporary Japanese society, it may offer a path of insight for us to understand the reality or distortion of reality of Japanese society. One assumption in my work is that if manga is actually a reflection of the structure and values of society, then the changes that the concept of "self" has undergone in Japan will certainly appear in anime and manga, as well. Therefore, the overall aim of this article is to analyze the content of a popular Japanese manga, Parasyte, in order to understand the paradoxes of subjectivity and coexistence in Japan.
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通过《寄生虫》解读日本哲学:共存的悖论
摘要:流行文化不仅在表面上娱乐观众,它甚至激发读者以一种旧艺术形式无法做到的方式来解决某些当代问题。许多学者将日本流行文化描述为通过其包含的图像、运动、故事和语言来了解日本社会的有力手段。在这方面,它可能像其他旧形式的媒体,如书籍和报纸,经常被用作“文本”来“解码”社会结构和价值观。在这篇文章中,我认为漫画是一种富有成效的媒介,它捕捉了与我们日常生活息息相关的流行问题,以及在不断变化的社会中形象的变化。由于漫画是当代日本社会的一面有用的镜子,它可能为我们了解日本社会的现实或扭曲的现实提供一条洞察力的途径。我工作中的一个假设是,如果漫画实际上是社会结构和价值观的反映,那么日本“自我”概念的变化肯定也会出现在动漫和漫画中。因此,本文的总体目的是分析日本流行漫画《寄生虫》的内容,以了解日本的主体性与共存的悖论。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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