"How Can You Trust a Country?": Precarity, Personal Narrative, and Occupational Folklore among Afghan Refugees in the US

IF 0.4 3区 社会学 0 FOLKLORE JOURNAL OF FOLKLORE RESEARCH Pub Date : 2021-11-19 DOI:10.2979/jfolkrese.58.3.04
Benjamin Gatling
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引用次数: 1

Abstract

Abstract:The US State Department has issued twenty-six thousand special immigrant visas (SIV) to Afghan translators, guards, embassy staff, and their dependents since 2009. The case of Afghan SIV recipients is unique because of the overlapping ways that precarity has doubly characterized the Afghan experience in both Afghanistan and the US. Work for the defense contracting industry in Afghanistan was dangerous and temporary. Now refugees struggle for stability in the gig economy, many while driving for Uber and Lyft. This article explores how Afghans conceptualize this precarity through stories about their work in Afghanistan and the US. Occupational identity and work have been foundational to core theorizations of personal narrative. This article uses the stories of precarious workers to interrogate the centrality of work identity in folkloristic theories of personal narrative. Additionally, this article uses the experiences of Afghan refugees to suggest what a more critical engagement with precarity offers folklore studies of work.
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“你怎么能信任一个国家?”:美国阿富汗难民的不稳定、个人叙事和职业民俗
摘要:自2009年以来,美国国务院已向阿富汗翻译、警卫、大使馆工作人员及其家属发放了2.6万份特殊移民签证。阿富汗SIV接受者的情况是独特的,因为不稳定的重叠方式使阿富汗在阿富汗和美国的经历更加突出。在阿富汗的国防承包行业工作是危险和暂时的。现在,难民们在零工经济中为稳定而斗争,其中许多人是在为优步和Lyft开车时。这篇文章探讨了阿富汗人如何通过他们在阿富汗和美国的工作故事来概念化这种不稳定。职业身份和工作是个人叙事核心理论的基础。本文利用不稳定工人的故事来质疑工作身份在个人叙事民俗理论中的中心地位。此外,这篇文章利用阿富汗难民的经历来表明,对不稳定的更批判性的参与为民间文学研究工作提供了什么。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.60
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1
期刊介绍: The Journal of Folklore Research has provided an international forum for current theory and research among scholars of traditional culture since 1964. Each issue includes topical, incisive articles of current theoretical interest to folklore and ethnomusicology as international disciplines, as well as essays that address the fieldwork experience and the intellectual history of folklore and ethnomusicology studies. Contributors include scholars and professionals in additional fields, including anthropology, area studies, communication, cultural studies, history, linguistics, literature, performance studies, religion, and semiotics.
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