Annotating Narrative Levels: Review of Guideline No. 7

Q1 Arts and Humanities Journal of Cultural Analytics Pub Date : 2020-01-21 DOI:10.22148/001c.11775
Gunther Martens
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Abstract

The guideline under review builds on the acquired knowledge of the field of narrative theory. Its main references are to classical structuralist narratology, both in terms of definitions (Todorov, Genette, Dolezel) and by way of its guiding principles, which strive for simplicity, hierarchy, minimal interpretation and a strict focus on the annotation of text-intrinsic, linguistic aspects of narrative. Most recent attempts to do “computational narratology” have been similarly “structuralist” in outlook, albeit with a stronger focus on aspects of story grammar: the basis constituents of the story are to some extent hard-coded into the language of any story, and are thus more easily formalized. The present guideline goes well beyond this restriction to story grammar. In fact, the guideline promises to tackle aspects of narrative transmission from the highest level (author) to the lowest (character), but also demarcation of scenes at the level of plot, as well as focalisation. Thus, the guideline can be said to be very wide in scope.
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注释叙述层次:对准则7的回顾
正在审查的指导方针建立在叙事理论领域已获得的知识基础上。它的主要参考是经典结构主义叙事学,无论是在定义上(托多罗夫、热涅特、多列泽尔),还是在指导原则上,都力求简单、分层、最小化解释,并严格关注对叙事文本内在和语言方面的注释。最近大多数“计算叙事学”的尝试都是类似于“结构主义”的观点,尽管更侧重于故事语法方面:故事的基本成分在某种程度上是硬编码到任何故事的语言中,因此更容易形式化。本指南远远超出了故事语法的限制。事实上,该指南承诺解决从最高层次(作者)到最低层次(角色)的叙事传递方面的问题,还包括情节层面的场景划分,以及焦点化。因此,该指南的范围可以说是非常广泛的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Journal of Cultural Analytics
Journal of Cultural Analytics Arts and Humanities-Literature and Literary Theory
CiteScore
2.90
自引率
0.00%
发文量
9
审稿时长
10 weeks
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