How We Gather Now: A Finding Aid

IF 0.2 3区 艺术学 0 THEATER CANADIAN THEATRE REVIEW Pub Date : 2021-10-01 DOI:10.3138/ctr.188.007
S. Boye, Sasha Kovacs, Rohan Kulkarni, Atefeh Zargarzadeh
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Abstract

Abstract:This article documents the ongoing development of the virtual exhibition currently titled How We Gather Now: A Finding Aid. This exhibition, created in collaboration with the Gatherings: Archival and Oral Histories of Performance research project (www.gatheringspartnership.com) aims to generate a virtual space to facilitate ongoing access to a curated selection of recorded online conversations about performance in Canada generated since March 2020. These recorded conversations between people who were not usually, easily, in a room together, represent a new archival object emerging from the simultaneous and intersecting truths of a global pandemic and protest against anti-Black racism. The article applies the structure of the Zoom conversation—which the exhibition aims to document and interpret—to offer readers a view, through isolated windows, into a research-creation process in progress. Through this contribution, the project’s curatorial team and research collaborators identify the key questions that motivated the exhibition’s development, outline the shifts in curatorial approach, and present the methodological approaches currently taken to historicize new and urgent forms of performance-related gatherings.
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我们现在如何聚集:一个寻找援助
摘要:本文记录了目前名为“我们现在如何聚集:寻找援助”的虚拟展览的发展过程。该展览是与Gatherings:表演档案和口述历史研究项目(www.gatheringspatnership.com)合作创建的,旨在创建一个虚拟空间,以方便持续访问自2020年3月以来生成的关于加拿大表演的精选在线录音对话。这些通常不容易在一个房间里的人之间的对话录音,代表了一个新的档案对象,它是从全球大流行和抗议反黑人种族主义的同时和交叉的真相中出现的。这篇文章应用了Zoom对话的结构——展览旨在记录和解释——通过孤立的窗口向读者展示正在进行的研究创作过程。通过这一贡献,该项目的策展团队和研究合作者确定了推动展览发展的关键问题,概述了策展方法的转变,并介绍了目前为历史化新的和紧迫的表演相关集会形式而采取的方法。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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CiteScore
0.30
自引率
33.30%
发文量
54
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