La Classe américaine: Film collage and dubbing

IF 0.1 0 LANGUAGE & LINGUISTICS English Text Construction Pub Date : 2017-06-19 DOI:10.1075/ETC.10.1.02LAB
Simon Labate
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引用次数: 0

Abstract

On 31 December 1993, French pay TV channel Canal+ broadcast a 70-minute film called La Classe americaine, directed by Michel Hazanavicius and Dominique Mezerette. They took excerpts from about fifty Warner Bros. productions, edited them to build a story and had the characters (played by A-list actors such as John Wayne and James Stewart) dubbed over by well-known French voice actors, resulting in what is known technically as a ‘detournement’, combining the techniques of film collage and dubbing. This paper sketches the origins and the production context of this very unusual audiovisual object, relying on insights from film theory, with particular reference to adaptation techniques like remixes and collages. The analysis also shows how meaning and humour are created through the montage of originally completely disconnected scenes and the addition of funny or crude dialogues that one would not expect from cinema legends like John Wayne. A final part highlights the film’s cult status and its influence on the creation of more detournements.
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美国班:电影拼贴和配音
1993年12月31日,法国付费电视频道Canal+播出了一部70分钟的电影,名为《美国阶级》,由米歇尔·哈扎纳维丘斯和多米尼克·梅泽雷特执导。他们摘录了华纳兄弟公司大约50部作品的片段,对其进行编辑以构建一个故事,并让著名的法国配音演员为角色(由约翰·韦恩和詹姆斯·斯图尔特等一线演员扮演)配音,结合了电影拼贴和配音的技术,形成了技术上所谓的“迂回”。本文根据电影理论的见解,特别是混音和拼贴等改编技术,勾勒出了这个非常不寻常的视听对象的起源和制作背景。该分析还显示了意义和幽默是如何通过蒙太奇原本完全脱节的场景和添加有趣或粗鲁的对话来创造的,这是人们不会从约翰·韦恩这样的电影传奇人物那里期待的。最后一部分强调了这部电影的狂热地位及其对创造更多弯路的影响。
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来源期刊
English Text Construction
English Text Construction LANGUAGE & LINGUISTICS-
CiteScore
0.30
自引率
0.00%
发文量
1
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