The influence of formats and preferences on the aesthetic experience of classical music concert streams.

IF 2.7 2区 心理学 0 HUMANITIES, MULTIDISCIPLINARY Psychology of Aesthetics Creativity and the Arts Pub Date : 2023-04-13 DOI:10.1037/aca0000560
Melanie Wald-Fuhrmann, Katherine O’Neill, Christian Weining, Hauke Egermann, Martin Tröndle
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引用次数: 1

Abstract

Music is listened to in many different situational and media frames that can be expected to shape its experience. In this study, we were interested in the effects that different formats of audiovisual streaming of classical concerts can have on the aesthetic experience of their audience. We also investigated the effects of preferences for streaming features. A total of N = 525 participants watched one of four chamber music concert streams and reported their expectations, appreciation, and experiences. Overall, participants liked the concerts and reported positive experiences. The immersive emotional and social dimensions of aesthetic experiences with music, however, were only rarely activated, showing the disadvantage of recorded as compared to live performances. Several experience dimensions were in fl uenced by streaming format: a stream that allowed audience members to interact on a chat platform afforded a stronger social experience, but less concentration; while a stream that included an introductory talk led to a better understanding of the programming and increased feelings of melancholy. Effects of the preference forcertain stream types were only found in the stream that most resembled a standard audiovisual concert broadcast but were leveled out in other stream formats explicitly designed to counterbalance known disadvantages of nonlive performances. From our study, we draw conclusions regarding the importance of an experimental approach to frame effects not only on the aesthetic experience of music but also on the future of concert streams as a new musical medium in its own (aesthetic) right.
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格式和偏好对古典音乐音乐会流审美体验的影响。
音乐是在许多不同的情境和媒体框架中聆听的,这些框架有望塑造音乐的体验。在这项研究中,我们感兴趣的是不同形式的古典音乐会视听流对观众审美体验的影响。我们还调查了流媒体功能偏好的影响。共有525名参与者观看了四场室内乐音乐会中的一场,并报告了他们的期望、欣赏和经历。总的来说,参与者喜欢音乐会,并报告了积极的体验。然而,音乐审美体验的沉浸式情感和社会维度很少被激活,这表明与现场表演相比,录音的劣势。流媒体格式影响了几个体验维度:允许观众在聊天平台上互动的流媒体提供了更强的社交体验,但注意力不集中;而包括介绍性演讲的流媒体则让人们对节目有了更好的理解,并增加了忧郁的感觉。偏好强制因素的影响主要流类型仅在最类似于标准视听音乐会广播的流中发现,但在其他流格式中被消除,这些格式明确设计用于抵消非生活表演的已知缺点。从我们的研究中,我们得出的结论是,框架效应的实验方法不仅对音乐的审美体验很重要,而且对音乐会流作为一种新的音乐媒介的未来也很重要。
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来源期刊
CiteScore
7.90
自引率
16.70%
发文量
135
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