Making a CoMotion

IF 0.2 3区 艺术学 N/A THEATER CANADIAN THEATRE REVIEW Pub Date : 2023-02-01 DOI:10.3138/ctr.193.016
R. Knowles
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Abstract

Abstract:The inaugural CoMotion: A Deaf and Disability Arts Festival at Toronto’s Harbourfront Centre from 20 April to 1 May 2022, curated by blind theatre artist Alex Bulmer, presented six live and four digital performances, six visual arts exhibitions, and four panels and conversations, a Q&A with Bulmer, and an “every-body-can-dance” workshop. The festival featured blind, Deaf, and neurodivergent artists, amputees, stutterers, and those with chronic pain or fatigue or with degenerative diseases. Some of the work served primarily a community-building function, some adhered to the familiar disability genres of the tragic or inspirational, but most celebrated the disability artist’s refusal of both exclusion and inclusion. The best of the festival’s offerings were not about overcoming disabilities but about joyful, if clear-eyed, engagement with the opportunities disability can offer.
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进行CoMotion
摘要:2022年4月20日至5月1日,由盲人戏剧艺术家Alex Bulmer策划的首届CoMotion:聋人和残疾人艺术节在多伦多海滨中心举行,共有六场现场表演和四场数字表演、六场视觉艺术展览、四场小组讨论和对话、一场与Bulmer的问答以及一场“人人都能跳舞”研讨会。该艺术节以盲人、聋人和神经分化艺术家、截肢者、口吃者以及慢性疼痛或疲劳或退行性疾病患者为特色。其中一些作品主要起到了社区建设的作用,一些作品坚持了人们熟悉的悲剧或励志的残疾类型,但最著名的是残疾艺术家拒绝排斥和包容。这个节日最好的节目不是关于克服残疾,而是关于快乐的,如果头脑清醒的话,参与残疾所能提供的机会。
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来源期刊
CiteScore
0.30
自引率
33.30%
发文量
54
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