{"title":"‘Stones from another mountain’: an analysis of the cinematic significance of Hong Kong’s Storm films in China’s anticorruption campaign","authors":"Alvin Hoi-Chun Hung","doi":"10.1080/17521483.2021.1882657","DOIUrl":null,"url":null,"abstract":"ABSTRACT When Chinese leader Xi Jinping came to power in 2012, the Chinese government adopted an anticorruption policy pledging to uproot corruption in China, and since then, an anticorruption crime film series known as the Storm films has been produced in Hong Kong and released with a progressively successful box-office performance in mainland China. The purpose of this essay is to examine the series’ role as an entertainment-based pedagogical and ideological tool within the broader socio-political context of post-2012 China. I argue that through portraying corruption in Hong Kong and the idealized role model image of anticorruption law enforcement officers, this Hong Kong film series has served to create a safe distance with which the general public in mainland China could be educated about the social harms of corruption, and could be forged with an ‘appropriate’ legal consciousness comprising complete trust, respect, and support for both the anticorruption campaign and the law itself.","PeriodicalId":42313,"journal":{"name":"Law and Humanities","volume":"15 1","pages":"84 - 105"},"PeriodicalIF":0.3000,"publicationDate":"2021-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/17521483.2021.1882657","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Law and Humanities","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/17521483.2021.1882657","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"LAW","Score":null,"Total":0}
引用次数: 0
Abstract
ABSTRACT When Chinese leader Xi Jinping came to power in 2012, the Chinese government adopted an anticorruption policy pledging to uproot corruption in China, and since then, an anticorruption crime film series known as the Storm films has been produced in Hong Kong and released with a progressively successful box-office performance in mainland China. The purpose of this essay is to examine the series’ role as an entertainment-based pedagogical and ideological tool within the broader socio-political context of post-2012 China. I argue that through portraying corruption in Hong Kong and the idealized role model image of anticorruption law enforcement officers, this Hong Kong film series has served to create a safe distance with which the general public in mainland China could be educated about the social harms of corruption, and could be forged with an ‘appropriate’ legal consciousness comprising complete trust, respect, and support for both the anticorruption campaign and the law itself.
期刊介绍:
Law and Humanities is a peer-reviewed journal, providing a forum for scholarly discourse within the arts and humanities around the subject of law. For this purpose, the arts and humanities disciplines are taken to include literature, history (including history of art), philosophy, theology, classics and the whole spectrum of performance and representational arts. The remit of the journal does not extend to consideration of the laws that regulate practical aspects of the arts and humanities (such as the law of intellectual property). Law and Humanities is principally concerned to engage with those aspects of human experience which are not empirically quantifiable or scientifically predictable. Each issue will carry four or five major articles of between 8,000 and 12,000 words each. The journal will also carry shorter papers (up to 4,000 words) sharing good practice in law and humanities education; reports of conferences; reviews of books, exhibitions, plays, concerts and other artistic publications.