{"title":"Sounding Out Normative and Colour-Blind Listening in Acoustic Ecology","authors":"Nimalan Yoganathan","doi":"10.3138/cjc.2022-0025","DOIUrl":null,"url":null,"abstract":"Background: The field of acoustic ecology emerged from Simon Fraser University in the late 1960s during which time R. Murray Schafer and the World Soundscape Project studied everyday soundscapes and the rise of urban noise. While it was an innovative approach to understanding the relationship between humans and their environments, it reproduced the dominant frameworks of this period. Analysis: This article argues that contemporary acoustic ecology discourse continues to frame noise, silence, and urban acoustic design through a white normative and colour-blind listening framework. This article examines dominant authorship and citation practices within leading journals that publish soundscape literature as well as sound mapping practices. Conclusion: After also surveying seldom-cited soundscape research that interrogates the environmental listening and sound-making practices of BIPOC and marginalized communities, the article concludes that there is a need for contemporary soundscape research to incorporate more intersectional and decolonial modes of environmental listening.","PeriodicalId":45663,"journal":{"name":"Canadian Journal of Communication","volume":null,"pages":null},"PeriodicalIF":0.8000,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Canadian Journal of Communication","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3138/cjc.2022-0025","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"COMMUNICATION","Score":null,"Total":0}
引用次数: 0
Abstract
Background: The field of acoustic ecology emerged from Simon Fraser University in the late 1960s during which time R. Murray Schafer and the World Soundscape Project studied everyday soundscapes and the rise of urban noise. While it was an innovative approach to understanding the relationship between humans and their environments, it reproduced the dominant frameworks of this period. Analysis: This article argues that contemporary acoustic ecology discourse continues to frame noise, silence, and urban acoustic design through a white normative and colour-blind listening framework. This article examines dominant authorship and citation practices within leading journals that publish soundscape literature as well as sound mapping practices. Conclusion: After also surveying seldom-cited soundscape research that interrogates the environmental listening and sound-making practices of BIPOC and marginalized communities, the article concludes that there is a need for contemporary soundscape research to incorporate more intersectional and decolonial modes of environmental listening.
期刊介绍:
The objective of the Canadian Journal of Communication is to publish Canadian research and scholarship in the field of communication studies. In pursuing this objective, particular attention is paid to research that has a distinctive Canadian flavour by virtue of choice of topic or by drawing on the legacy of Canadian theory and research. The purview of the journal is the entire field of communication studies as practiced in Canada or with relevance to Canada. The Canadian Journal of Communication is a print and online quarterly. Back issues are accessible with a 12 month delay as Open Access with a CC-BY-NC-ND license. Access to the most recent year''s issues, including the current issue, requires a subscription. Subscribers now have access to all issues online from Volume 1, Issue 1 (1974) to the most recently published issue.