{"title":"The complexities of ‘Closure’","authors":"Christopher Pizzino","doi":"10.1080/17521483.2022.2150209","DOIUrl":null,"url":null,"abstract":"ABSTRACT In both content and form, the comic ‘Closure’, written by Laura Findlay and illustrated by Zuzanna Dominiak, advances a notably complex view of the subject of trauma, and of the way comics can best portray this subject. Far from offering straightforward, easily summarized data on trauma, the creators enact a conflict between word and image, and between writer and illustrator, to explain how and why the topic of trauma resists easy summary, and to present comics as a powerful medium for expressing this complexity. Referencing the work of Art Spiegelman, especially his use of gag humour and satire, ‘Closure’ claims a place for comics, not as an easy way to absorb difficult information, but precisely as a way to capture and amplify its difficulty.","PeriodicalId":42313,"journal":{"name":"Law and Humanities","volume":"17 1","pages":"37 - 49"},"PeriodicalIF":0.3000,"publicationDate":"2022-11-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Law and Humanities","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/17521483.2022.2150209","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"LAW","Score":null,"Total":0}
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Abstract
ABSTRACT In both content and form, the comic ‘Closure’, written by Laura Findlay and illustrated by Zuzanna Dominiak, advances a notably complex view of the subject of trauma, and of the way comics can best portray this subject. Far from offering straightforward, easily summarized data on trauma, the creators enact a conflict between word and image, and between writer and illustrator, to explain how and why the topic of trauma resists easy summary, and to present comics as a powerful medium for expressing this complexity. Referencing the work of Art Spiegelman, especially his use of gag humour and satire, ‘Closure’ claims a place for comics, not as an easy way to absorb difficult information, but precisely as a way to capture and amplify its difficulty.
期刊介绍：
Law and Humanities is a peer-reviewed journal, providing a forum for scholarly discourse within the arts and humanities around the subject of law. For this purpose, the arts and humanities disciplines are taken to include literature, history (including history of art), philosophy, theology, classics and the whole spectrum of performance and representational arts. The remit of the journal does not extend to consideration of the laws that regulate practical aspects of the arts and humanities (such as the law of intellectual property). Law and Humanities is principally concerned to engage with those aspects of human experience which are not empirically quantifiable or scientifically predictable. Each issue will carry four or five major articles of between 8,000 and 12,000 words each. The journal will also carry shorter papers (up to 4,000 words) sharing good practice in law and humanities education; reports of conferences; reviews of books, exhibitions, plays, concerts and other artistic publications.
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