The Martys and Spectacular Death: From Homer to the Roman Arena

Q1 Arts and Humanities Journal of Religion and Violence Pub Date : 2018-07-01 DOI:10.5840/jrv201811956
Margo Kitts
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引用次数: 3

Abstract

The notion of a martyr, or martys, has undergone a significant conceptual shift since its first attestation in the Iliad, where the martyroi are those witnesses who punish oath-violators with gruesome deaths rather than those who suffer gruesome deaths, as in later usage. This essay traces the conceptual shift of the Greek term martys from the Homeric precedent through the Book of Revelation. Then it explores the visual focus on dying in the Iliad and in ancient martyr texts, as well as some rhetorical means for conveying it. It concludes with a glance at some common ritual features between the Iliad’s oath-sacrifices and Christian martyr spectacles.
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《殉道者与壮观的死亡:从荷马到罗马竞技场
殉道者或殉道者的概念自《伊利亚特》首次证明以来发生了重大的概念转变,殉道者是那些以可怕的死亡惩罚违反誓言者的证人,而不是后来使用的遭受可怕死亡的人。本文通过《启示录》追溯了希腊语“殉道者”一词从荷马先例的概念转变。然后探讨了《伊利亚特》和古代殉道者文本中对死亡的视觉关注,以及传达这种关注的修辞手段,最后简要介绍了《伊利亚德》的誓词祭祀与基督教殉道者场面之间的一些共同仪式特征。
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来源期刊
Journal of Religion and Violence
Journal of Religion and Violence Arts and Humanities-Religious Studies
CiteScore
0.70
自引率
0.00%
发文量
9
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