Perceiving the Mosaic: Form in the Mashups of DJ Earworm

IF 1.6 1区 艺术学 0 MUSIC MUSIC THEORY SPECTRUM Pub Date : 2020-12-18 DOI:10.1093/mts/mtaa016
J. Yunek, Benjamin K. Wadsworth, S. Needle
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引用次数: 3

Abstract

The formal analysis of mashups is generally overlooked because their structures are assumed to be derived from one or more of their component tracks. This article explores the generation of original formal structures in one of the most well-known and complex mashup artists, DJ Earworm. We show that the form of his mashups can neither be derived from a singular work nor be analyzed by their thematic or harmonic construction. Instead, verse–chorus forms are revealed by correlating mashup sections to the formal origins of their borrowed material, which is based on the composer’s writings and interviews, a history of formal correlation in the mashup genre, and multiple analyses.
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感知马赛克:DJ Earworm的混搭形式
mashup的形式化分析通常被忽略,因为它们的结构被认为是从它们的一个或多个组件轨迹派生的。本文探讨了最著名和最复杂的混搭艺术家之一DJ Earworm的原始形式结构的生成。我们表明,他的混搭的形式既不能从一个单一的工作,也不能分析他们的主题或和谐的结构。相反,通过将混搭部分与借来的材料的正式来源联系起来,揭示了主副歌形式,这是基于作曲家的作品和采访,混搭类型的正式相关性的历史,以及多种分析。
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来源期刊
CiteScore
2.30
自引率
20.00%
发文量
15
期刊介绍: A leading journal in the field and an official publication of the Society for Music Theory, Music Theory Spectrum features articles on a wide range of topics in music theory and analysis, including aesthetics, critical theory and hermeneutics, history of theory, post-tonal theory, linear analysis, rhythm, music cognition, and the analysis of popular musics. The journal welcomes interdisciplinary articles revealing intersections with topics in other fields such as ethnomusicology, mathematics, musicology, philosophy, psychology, and performance. For further information about Music Theory Spectrum, please visit the Society for Music Theory homepage.
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