Kvinnelige pressefotografer i arbeiderpressen

Q3 Arts and Humanities Arbeiderhistorie Pub Date : 2021-03-23 DOI:10.18261/ISSN.2387-5879-2021-01-11
Sølvi Bennett Moen
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Abstract

Women photographers in the press have been overlooked in different works on Norwegian photo history. This article shows that although women have been partly invisible, they still made a mark in the newspapers and magazines of the labour movement, and they do deserve to be seen. The article looks into how many women have actually been involved in the occupation, and an outline of the profession’s evolving gender composition is drawn. Three women and their work as press photographers in different periods are presented. The three photographers that serve as examples are Gerda Grepp, who was a correspondent for the newspaper Arbeiderbladet during the Spanish Civil War; Sølve Harm, who worked as a press photographer in Arbeidernes pressekontor (The Labour Press Office) from 1963 to 1981; and Mimsy Møller, who has been employed at Arbeiderbladet/Dagsavisen since 1984. These photographers’ works are presented on the basis of a wide array of source material such as newspaper articles, magazines, letters, photographs and interviews.
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女记者在工作媒体上的照片
在挪威摄影史的不同作品中,新闻界的女摄影师一直被忽视。这篇文章表明,尽管女性在一定程度上是隐形的,但她们仍然在劳工运动的报纸和杂志上留下了印记,她们确实应该被看到。这篇文章调查了有多少女性实际上参与了这个职业,并描绘了这个职业的性别构成演变的轮廓。介绍了三个不同时期的女新闻摄影师和她们的工作。作为例子的三位摄影师是格尔达·格雷普(Gerda Grepp),她在西班牙内战期间担任《劳动报》(Arbeiderbladet)的记者;Sølve Harm, 1963年至1981年在工党新闻办公室(Arbeidernes pressekontor)担任新闻摄影师;Mimsy Møller,自1984年以来一直受雇于Arbeiderbladet/Dagsavisen。这些摄影师的作品是基于广泛的原始材料,如报纸文章,杂志,信件,照片和采访。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Arbeiderhistorie
Arbeiderhistorie Arts and Humanities-History
CiteScore
0.10
自引率
0.00%
发文量
17
审稿时长
52 weeks
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