Reading Novels, Reading Networks: Mark Z. Danielewski’s The Familiar, Social Media, and the Digital Literary Sphere

Q2 Arts and Humanities Orbit (Cambridge) Pub Date : 2021-08-25 DOI:10.16995/orbit.4799
Julia L. Panko
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引用次数: 1

Abstract

This article examines the theme of social networks in Mark Z. Danielewski’s serial novel The Familiar, as well as the social networks involved in the work’s reception, as a means of assessing the contemporary novel’s imbrication in social networks and social media. It contributes to critical discussions about The Familiar—and to broader conversations about the novel in the social media age—on two fronts. First, it analyzes Danielewski’s diegetic social networks. I argue that, in The Familiar, the planetary social is largely represented as a source of anxiety, as the existential threat of violence is amplified and perpetuated through social media. Yet the novel also explores how social networks offer the potential for resistance and protection from such violence. Second, the article describes how Danielewski’s real-world socially networked communities have impacted the interpretation of his writing. The analysis centers on the Facebook “Reading Club” dedicated to The Familiar and on the online discussion, conducted through WordPress, wherein students and faculty at multiple universities blogged about The Familiar, Volume 1. The WordPress discussion pushes the classroom into the blogosphere, troubling distinctions among academic interpretation, social networking, and public discourse. The Facebook group harnesses the conventions of both social media and book clubs, demonstrating how academic-adjacent interpretation may flourish in contexts not typified by such reading. At stake is a more nuanced understanding of the power and potential violence of communities constituted through social media; of the novel’s ability to represent and theorize such communities; and of the ways that reading communities’ emergence across social media has problematized longstanding conceptualizations of contemporary reading culture as characterized by a series of divisions (such as that between amateur and professional readers).
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阅读小说、阅读网络:马克·Z·达涅夫斯基的《熟悉的、社交媒体和数字文学领域》
本文考察了马克·z·丹尼尔列夫斯基系列小说《熟悉》中的社交网络主题,以及作品接受过程中涉及的社交网络,以此作为评估当代小说在社交网络和社交媒体中的融合的一种手段。它从两个方面促进了对《熟悉》的批判性讨论,以及在社交媒体时代对这部小说的更广泛讨论。首先,分析Danielewski的叙事社会网络。我认为,在《熟悉》中,全球社会在很大程度上被表现为焦虑的来源,因为暴力的存在威胁通过社交媒体被放大和延续。然而,小说也探讨了社交网络如何提供抵抗和保护这种暴力的潜力。其次,文章描述了Danielewski的现实社会网络社区如何影响他的作品的解释。分析集中在Facebook“阅读俱乐部”上,该俱乐部致力于《熟悉》,并通过WordPress进行在线讨论,其中多所大学的学生和教师在博客上发表了关于《熟悉》第一卷的文章。关于WordPress的讨论将课堂推向了博客世界,扰乱了学术解释、社交网络和公共话语之间的区别。Facebook小组利用了社交媒体和读书俱乐部的惯例,展示了在这种阅读不典型的背景下,与学术相关的解读如何蓬勃发展。关键在于对通过社交媒体构成的社区的力量和潜在暴力有更细致的理解;小说表现和理论化这些群体的能力;阅读社区在社交媒体上的出现,对当代阅读文化长期以来的概念提出了问题,这种概念以一系列分歧为特征(比如业余读者和专业读者之间的分歧)。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Orbit (Cambridge)
Orbit (Cambridge) Arts and Humanities-Literature and Literary Theory
CiteScore
0.20
自引率
0.00%
发文量
8
审稿时长
15 weeks
期刊介绍: Orbit: Writing Around Pynchon is a journal that publishes high quality, rigorously reviewed and innovative scholarly material on the works of Thomas Pynchon, related authors and adjacent fields in 20th- and 21st-century literature. We publish special and general issues in a rolling format, which brings together a traditional journal article style with the latest publishing technology to ensure faster, yet prestigious, publication for authors.
期刊最新文献
The Flight of the Junky: Existential Posthumanism and Immanent Life in Early Burroughs Forget-me-not: Giving Voice to Memory in Mark Z. Danielewski's "The Familiar" and Elsa Morante's "La Storia" Introduction: Becoming Familiar with The Familiar, or, The Imaginary Novel and the Imagination Into the Catsum. Mark Z. Danielewski's Arithmopoetics ‘Questionable + Intelligence’: Inter + Legere
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