{"title":"Gender, Islam and nativism in populist radical-right posters: visualizing ‘insiders’ and ‘outsiders’","authors":"Feyda Sayan-Cengiz, Caner Tekin","doi":"10.1080/0031322X.2022.2115029","DOIUrl":null,"url":null,"abstract":"ABSTRACT Sayan-Cengiz and Tekin explore the visual communication strategies of Western European populist radical-right (PRR) parties in disseminating nativist, anti-migrant and Islamophobic agendas through gendered visual representations. It is widely argued that the PRR homogenizes and dichotomizes both ‘native’ and Muslim migrant cultures through an ostensibly liberal discourse of respect for women’s rights and freedoms in order to mainstream their exclusionary position towards Muslim migrant communities. However, there is a void in the literature in terms of accounting for how visual communication strategies are used in this process. The authors here argue that looking into the visual representations of Muslim migrant and ‘native’ bodies in the PRR parties’ visual communication materials is crucial for understanding the PRR’s gendered cultural constructions of both Muslim migrant ‘outsiders’ and native ‘insiders’. Focusing on the campaign posters for the Alternative für Deutschland (AfD) in Germany, the Rassemblement National (RN) in France, and the Partij voor de Vrijheid (PVV) in the Netherlands using a social semiotic approach, their study suggests that Muslim migrants are represented as alien Others, but that there is also a significant difference between representations of migrant women as ‘victims’ and men as ‘aggressors’. On the other hand, ‘native’ women are represented as the embodiment of authentic national identities, as either reproducers or defenders of the nation. ‘Native’, heterosexual men do not often appear in the posters, pointing to the position of power that they hold in the PRR’s imagination. That is, they are the designated spectators and addressees of visual communication materials, rather than objects of representation.","PeriodicalId":46766,"journal":{"name":"Patterns of Prejudice","volume":"56 1","pages":"61 - 93"},"PeriodicalIF":0.5000,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Patterns of Prejudice","FirstCategoryId":"90","ListUrlMain":"https://doi.org/10.1080/0031322X.2022.2115029","RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"ETHNIC STUDIES","Score":null,"Total":0}
引用次数: 0
Abstract
ABSTRACT Sayan-Cengiz and Tekin explore the visual communication strategies of Western European populist radical-right (PRR) parties in disseminating nativist, anti-migrant and Islamophobic agendas through gendered visual representations. It is widely argued that the PRR homogenizes and dichotomizes both ‘native’ and Muslim migrant cultures through an ostensibly liberal discourse of respect for women’s rights and freedoms in order to mainstream their exclusionary position towards Muslim migrant communities. However, there is a void in the literature in terms of accounting for how visual communication strategies are used in this process. The authors here argue that looking into the visual representations of Muslim migrant and ‘native’ bodies in the PRR parties’ visual communication materials is crucial for understanding the PRR’s gendered cultural constructions of both Muslim migrant ‘outsiders’ and native ‘insiders’. Focusing on the campaign posters for the Alternative für Deutschland (AfD) in Germany, the Rassemblement National (RN) in France, and the Partij voor de Vrijheid (PVV) in the Netherlands using a social semiotic approach, their study suggests that Muslim migrants are represented as alien Others, but that there is also a significant difference between representations of migrant women as ‘victims’ and men as ‘aggressors’. On the other hand, ‘native’ women are represented as the embodiment of authentic national identities, as either reproducers or defenders of the nation. ‘Native’, heterosexual men do not often appear in the posters, pointing to the position of power that they hold in the PRR’s imagination. That is, they are the designated spectators and addressees of visual communication materials, rather than objects of representation.
期刊介绍:
Patterns of Prejudice provides a forum for exploring the historical roots and contemporary varieties of social exclusion and the demonization or stigmatisation of the Other. It probes the language and construction of "race", nation, colour, and ethnicity, as well as the linkages between these categories. It encourages discussion of issues at the top of the public policy agenda, such as asylum, immigration, hate crimes and citizenship. As none of these issues are confined to any one region, Patterns of Prejudice maintains a global optic, at the same time as scrutinizing intensely the history and development of intolerance and chauvinism in the United States and Europe, both East and West.