Living with/on the Land

IF 0.2 3区 艺术学 0 THEATER CANADIAN THEATRE REVIEW Pub Date : 2022-08-01 DOI:10.3138/ctr.191.005
Jasmine Sihra, Julie Nagam
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Abstract

“Living with/on the Land” is a conversation between Jasmine Sihra and Dr. Julie Nagam that explores Nagam’s artistic practice and digital installation works that offer an immersive experience for participants to understand the dualism of living in the city versus on the land. Sihra, a research fellow on Nagam’s SSHRC Partnership Grant The Space between Us, asks about Nagam’s works like Our future is in the land, if we listen to it (2017) that combine projection and sound to provide viewers an immersive experience of the rural Manitoba landscape where the artist grew up. Nagam also discusses singing our bones home (2013), which situates the viewer in a dome-like structure and juxtaposes the architectural dwellings of a wagon shed and a wigwam, a nomadic form that offered more mobility to inhabitants. Her most recent work, A place to hold loss (2022), deals directly with the transformation of land through urban development and suggests mobile forms of dwelling as a possible way to limit destruction of land. Through her practice, Nagam poses urgent questions that have the potential to think through the current climate crisis and Indigenous futurisms.
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生活在土地上
“与土地一起生活/在土地上生活”是Jasmine Sihra和Julie Nagam博士的对话,探讨了Nagam的艺术实践和数字装置作品,为参与者提供了身临其境的体验,让他们理解城市生活与土地生活的双重性。西赫拉是纳加姆SSHRC合作基金“我们之间的空间”的研究员,他询问了纳加姆的作品,比如《我们的未来在土地上》(2017),这些作品结合了投影和声音,为观众提供了艺术家成长的曼尼托巴乡村景观的沉浸式体验。纳加姆还讨论了唱我们的骨头回家(2013),它将观众安置在一个圆顶状的结构中,并将马车棚和棚屋的建筑住宅并置,这是一种游牧形式,为居民提供了更多的流动性。她最近的作品《承受损失的地方》(2022)直接探讨了通过城市发展对土地的改造,并提出了移动式住宅作为限制土地破坏的一种可能方式。通过她的实践,纳加姆提出了一些紧迫的问题,这些问题有可能思考当前的气候危机和土著未来主义。
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来源期刊
CiteScore
0.30
自引率
33.30%
发文量
54
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